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Cath Clarke predominantly covers film and entertainment reviews, indicating a strong focus on analyzing and critiquing various forms of media. If you are in the film industry or represent actors, reaching out with relevant updates, exclusive insights into upcoming productions, or access to high-profile talents for interviews could be effective.
Given Cath's extensive coverage of film reviews, it’s clear that she is highly interested in new releases and lesser-known films. Therefore, offering her exclusive access to behind-the-scenes information about upcoming movies or unique angles related to recent releases may capture her attention.
As Cath doesn't have a geographic focus specified but rather focuses on global entertainment content, pitches can be tailored towards international as well as local (UK) aspects of the film industry.
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By: Cath Clarke
The movie adaptation of Gary Owen’s acclaimed play Iphigenia in Splott, Effi o Blaenau, is released this month. Here, its director and crew explain why they relocated the film to a post-industrial mining town – and refused to make it in English
By: Cath Clarke
Sci-fi about the inventor of a device to communicate with aliens, in which scientists spend too much time talking astrophysics at each other
By: Cath Clarke
A trio of actors play one woman from high school to her mid-30s in Tracy Choi’s thoughtful romantic drama
By: Cath Clarke
A 1,000-year-old vampire obsessed with removing men’s genitals is the main storyline in this body horror, filmed in trashy 1980s synth-heavy style
By: Cath Clarke
A second helping of the English-language adaptation of Mercedes Ron’s trilogy sustains little chemistry between its supposedly besotted lead characters
By: Cath Clarke
Archaeologists blunder into an ancient and unwittingly release a vengeful monster – with predictable and conventional results
By: Cath Clarke
Nighy is the Dingle dwelling grandfather of a Sheffield family in strife in sentimental adaptation of Mark Lowery’s novel Charlie and Me
By: Cath Clarke
The director and activist on her fictional drama Roya, drawing on her experience of imprisonment and torture, and why even in Europe she feels unsafe
By: Cath Clarke
Based on actor-director Peter Benedict’s own play this tiny-budget thriller has the feel of a stagey recording as the double-crosses pile up higher than an MP’s promises
By: Cath Clarke
In the absence of foreign media, doctors are valuable witnesses to the Israel-Hamas conflict in Daniele Rugo’s documentary
