Adam Gopnik is a writer at The New Yorker. He explores a diverse range of themes including culture, spirituality, and architecture, while also delving into topics such as animal rights and rescue, and the intersection of religion and art. His work has been featured in notable publications including Town & Country Magazine, The Boston Globe, and The New York Times.
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United States (National)
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Adam Gopnik's coverage spans a wide range of topics, including art, literature, comedy, music, and history. His articles often feature opinion editorials and government announcements. If you are looking to reach out to him with a pitch or expertise, consider offering insights related to these themes.
Given his national focus on the United States and the prevalence of lifestyle-related content in his articles, consider tailoring pitches that incorporate American cultural references or developments. Additionally, providing commentary on political or legal aspects within the context of art and culture may align well with his coverage interests.
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A visit to a poet’s home in Kraków recalls the lessons of East Europe’s dissidents.
The historical and archeological record upends the widespread belief that long-term incarceration belongs to the modern state.
Voters voted for it, even if they weren't sure what it was. But maps are the ideal metaphor for our models of what the world might be.
A radical history of the Mets insists that baseball can still be the people's game.
New scholarship reconsiders the apostle who turned a Jewish sect into a world religion—and whose legacy remains contested two millennia later.
The latest in the Trumpite series of proposed oversized buildings—the previous one being a ballroom where the East Wing of the White House once
A humane study of how artists have captured our canine companions becomes a meditation on sympathy, trust, and the virtues we have bred them to display.
America's fight for independence is often considered a battle fought and won at home. A new book argues that it was propelled by a transnational élite an ocean away.
There are moments when a phrase, or a current of thought, that had seemed condemned to archival history is suddenly all anyone talks about.
The ninety-two-year-old theatre producer and prison activist stopped by 54 Below to make a career pivot—standup comedy, dishing on Charles Laughton and Peggy Lee.
