A new sanctuary on the Benjamin Franklin Parkway assembles a deliberately whimsical variety of materials, where sculpture moves and is moved in turn.
Adam Gopnik is a writer at The New Yorker. He focuses on regional interest and world news, particularly in North America, while exploring themes related to authors, books, the film industry, cultural movements, and pop culture. His work has been featured in notable publications such as Town & Country Magazine, The Boston Globe, and The New York Times.















