Ainsley Smith is a Web Writer at various media outlets. She covers topics related to Toronto, Ontario, focusing on crime, accidents, police investigations, and public safety. Ainsley is featured in 91.5 The Beat, Magic106.1, StyleDemocracy, Global News, and The Creightonian.
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Toronto, Canada (Local)
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Ainsley's coverage focuses heavily on crime and breaking news in Toronto, with a strong emphasis on evolving stories. She appears to be deeply engaged in reporting local crime incidents and ongoing investigations within the Toronto area.
Given her focus, Ainsley may be particularly interested in pitches that involve exclusive information or interviews related to ongoing criminal investigations or breaking news incidents within Toronto. Experts with specific knowledge of law enforcement procedures, criminal justice issues, or insights into the local crime landscape would likely grab her attention.
As she concentrates primarily on local events within Ontario and specifically Toronto, reaching out with relevant localized expertise could help increase engagement.
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By: Dylan Wiese, Lauren Gaeding, Aidan Flairty, Ainsley Smith
It’s not about how you start, it’s how you finish. No. 12 Creighton volleyball is looking to finish off the season strong. They were able to continue their momentum, beating the Villanova Wildcats in four sets to start their final home weekend in Big East play. This brought the Bluejays to a perfect 13-0 record in Big East play, maintaining their hold on first place in the Big East standings.
I have been told I can get insufferable about the music other people play. I am never content with the playlist in any given restaurant, retail space or house party. For my friends, this often reads as pretentiousness (fair enough), but my issue is never with the fact that music in public spaces isn’t “niche” enough — it’s that the music never fits the
By: Ainsley Smith
Protein popcorn, protein bagels, Starbucks protein cold foam, protein peanut butter cups, etcetera –– it’s clear that in the past two years we’ve achieved what diet culture of the early aughts could never have imagined: a way to enjoy a sweet treat without feeling ashamed.
20 years after her first Coachella appearance in 2006, Madonna faced the Indio desert again as a surprise guest in Sabrina Carpenter’s headliner show –– looking at a very different audience on very different terms. The Queen of Pop was promoting the release of a successor to her album “Confessions on a Dance Floor,” fittingly named “Confessions II,” but her dual performance with Carpenter largely featured older songs, like “Vogue” and the perennially resurgent hit “Like a Prayer.” To me, inviting Carpenter to feature on her new album and perform her classics felt like a way for Madonna to grant Carpenter her blessing, a way to tell a younger audience: “This is one of my disciples. Don’t pass up on her.”
