Alison Gillmor

Delicate and devastating, this small Canadian drama starts with a voiceover narrative.

WHAT IT IS: Brown and Blacks in Reds, a 1957 painting by American artist Mark Rothko.

John Carney is a one-note writer-director, and I mean that in the good way. The Irish filmmaker likes to tell stories about the redemptive possibilities

Steven Spielberg, who has been making feature films for over five decades now, is in “watch the skies” mode with his new sci-fi movie, a deliberately

Bleak, beautiful and sad, this small Australian film combines art-house horror with a queer coming-of-age story. This is a monster movie in which the monster is homophobic hatred.

DC outing has its positives, but sloppy script weakens its punch I like Supergirl, played in this new DCU outing by Australian actor Milly Alcock ( House of Dragons

Sunny summer flick features several celebrity cameos Unabashedly all over the place, this amiable ensemble comedy from director and co-writer

Months before this week’s release of Christopher Nolan’s adaptation of The Odyssey, the film was already being criticized for being too “woke,” insufficiently manly, overly casual and not faithful enough to the original 2,800-year-old poem.

There’s a brief scene in this fourth instalment of the Tom Holland-starring Spider-Man saga that nicely sums up the current Marvel Cinematic Universe situation.

Here's a spooky premise: A fishing boat, the Rose of Nevada, that disappeared along with its crew 30 years ago, makes a mysterious return — empty but unchanged — to a small village in Cornwall, on England's southwest coast.