Alison Gillmor is a Lecturer at [Employer]. She specializes in the realms of plays and musicals, as well as the film industry, with a focus on filmmaking and filmmaking equipment. Alison's insights and expertise have been featured in Galleries West and the Winnipeg Free Press.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
Not enough data
This information evolves through artificial intelligence and human feedback. Improve this profile .
Something is rotten in the state of … well, almost everywhere these days, which might account for the recent rush of Hamlet adaptations, with an
By: Alison Gillmor
There’s a certain kind of little British film that wants very much to be sweet and charming.
By: Alison Gillmor
Delicate and devastating, this small Canadian drama starts with a voiceover narrative.
By: Alison Gillmor
WHAT IT IS: Brown and Blacks in Reds, a 1957 painting by American artist Mark Rothko.
John Carney is a one-note writer-director, and I mean that in the good way. The Irish filmmaker likes to tell stories about the redemptive possibilities
Steven Spielberg, who has been making feature films for over five decades now, is in “watch the skies” mode with his new sci-fi movie, a deliberately
Bleak, beautiful and sad, this small Australian film combines art-house horror with a queer coming-of-age story. This is a monster movie in which the monster is homophobic hatred.
DC outing has its positives, but sloppy script weakens its punch I like Supergirl, played in this new DCU outing by Australian actor Milly Alcock ( House of Dragons
Sunny summer flick features several celebrity cameos Unabashedly all over the place, this amiable ensemble comedy from director and co-writer
By: Alison Gillmor
Months before this week’s release of Christopher Nolan’s adaptation of The Odyssey, the film was already being criticized for being too “woke,” insufficiently manly, overly casual and not faithful enough to the original 2,800-year-old poem.
