Amanda Whiting is a culture writer at various outlets, including Vulture and The Independent. She has been covering a diverse range of topics such as books, television, sports, and politics since 2013, with a particular focus on the broadcasting industry. Amanda's work has been featured in prominent publications like Yahoo News, KCRW, and the Belfast Telegraph.
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Amanda Whiting is a freelance writer who predominantly covers TV shows, particularly through recaps and reviews. She might be interested in pitches related to exclusive insights into upcoming seasons or episodes of TV series, interviews with actors/actresses or show creators, and any breaking news within the entertainment industry.
Given her focus on reviewing and recapping specific TV shows such as "True Detective" and "The Curse," she may also appreciate pitches that offer unique perspectives on these shows or similar content.
Since Amanda does not have a specified geographic focus, relevant topics should pertain to international entertainment trends rather than being location-specific.
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By: Amanda Whiting
Even the cherished daughters of the most powerful men in Gilead aren't safe from state violence.
By: Amanda Whiting
Agnes officially enters womanhood, and suddenly her life starts to change in rapid succession.
The trouble with Agnes MacKenzie narrating a TV series about the political antipathy that begets authoritarianism is that she has nothing to say on the matter.
By: Amanda Whiting
We learn in “Green Tea” that the Aunts do more than morally instruct Gilead's favorite daughters until they get their periods.
The only silver lining to Becka’s devastating predicament is that she chose the right Pearl Girl to confide in.
One of the most harrowing chapters from the book makes its way to the series and depicts Lydia’s appalling descent into complicity.
The second half of The Testaments 's first season is preoccupied with backstory. In “Stadium,” we watched Aunt Lydia take the horrifically short
It's wedding season in Gilead, and the brides-to-be are blindsided by the expectations that await them on their wedding night.
Gilead’s punitive culture has rubbed off on Daisy, who is hellbent on taking matters into her own hands.
Considering how little changed from episode to episode, it's shocking how far The Testaments ' season finale leaves us from where we started.
