Amartya Acharya is a journalist at High On Films. He is a cinephile exploring the intersections of film literature and pop culture, with a keen interest in the film industry and filmmaking. Amartya's insights and analyses have been featured in various discussions surrounding these topics.
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Amartya appears to specialize in reviewing and providing expert commentary on TV shows, movie endings, as well as offering investment analysis. Given the focus on reviewing TV shows and movies, Amartya may appreciate pitches from entertainment industry professionals who can provide unique insights into popular series or films.
Considering the significant emphasis on gaming, pitches related to this area could also be of interest to him. Collaboration with experts in the gaming industry for reviews or analyses might resonate well with Amartya's coverage themes.
While not explicitly stated, it would be reasonable to infer that his geographic focus is broad due to the nature of entertainment news and its global appeal.
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By: Amartya Acharya
Thug Life (2025) presents intriguing ideas but falters with a predictable, shallow script that lacks emotional and narrative depth.
By: Amartya Acharya
Predator: Killer of Killers (2025) delivers a gory, pulpy anthology that stays true to the savage spirit of the franchise.
By: Amartya Acharya
If you had asked me a couple of years back which import of American network television I imagined being used as a template for multiple adaptations
By: Amartya Acharya
Coolie (2025), the latest Lokesh Kangaraj movie is a love letter to Super Star Rajni, but it becomes very little on it's own.
Guns, bullets, brawls, men with codes of honor, comic book plotlines anchored to a hyper-realistic world, and an unabashed love for commercial Tamil
By: Amartya Acharya
Bhagwat Chapter One: Raakshas (2025) is a dull police drama made engaging only by Arshad Warsi’s charming performance.
By: Amartya Acharya
Jitendra Kumar shines as a serial killer in Bhagwat Chapter One: Rakshas (2025), showing a new, captivating side of his acting.
By: Amartya Acharya
Believer (2018) is a Korean action crime thriller about two men teaming up to hunt a mysterious drug lord, now on Netflix.
By: Amartya Acharya
Baby Driver (2017), Edgar Wright's first foray into mainstream cinema in full bloom now feels like a style over substance thing.
By: Amartya Acharya
Anurag Kashyap, as a director, has now been going through so many different phases that a clear demarcation of his filmography is slowly starting to become a daunting affair.
