Armond White is a Film Critic at National Review. He focuses on themes in arts and entertainment, particularly within film and cinema, and often explores topics related to journalism, media, and the film industry. His work has been featured in Knowledia, National Review, and MSN.
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UFC Freedom 250 patriotism gets a media blackout.
Disclosure, distraction, deception, and slop.
Adam McKay’s classic farce about the deplorables.
Disney versus desire in two fantasy films Y et another Toy Story animation — this time Toy Story 5 — continues the Pixar threat of keeping moviegoers in a state of mindless juvenile consumerism.
In the Hand of Dante mocks itself — but Pacino and Scorsese bail it out.
Hollywood attempts to create a consensus condemning the movie, as it faces a media blackout.
Moviegoers defend themselves against media tyranny. T he gap between moviegoers' interest and media approval is wider this year than ever before.
Why scorn triumphalism when talking about American movies that conquered the world?
Fighting resistance to American history and mythology T he release of Young Washington can't help but recall film-industry exploitation, from
The Odyssey — the Twisted Epic We Deserve
