Armond White is a Film Critic at National Review. He focuses on the intersection of arts and entertainment, particularly within the realms of film and cinema. His insights and critiques have been featured in Knowledia, National Review, and MSN.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
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Turning Orwell’s allegory into a pigsty.
French humanism teaches a lesson in attachments.
Discovering the showbiz roots of vox-pop commentary.
Aleshea Harris’s debut aims at destroying the black family.
A new age of cinematic political cartoons is here.
How Spielberg, Byrne, Springsteen, and Obama worshippers bowed to woke media.
The return of the Toxic Male ‘D on't talk about Fight Club!” That facetious marketing tagline was a “first rule” designed to tease naïve hipsters.
Fight Club’s Soy Boy Revival
The ‘community' fallacy corrupts a popular artist. W hen a great popular artist gets chummy on a politician's podcast, it taints the artist's likability.
Borat loses his audience.
