Ashley Lee

The director and playwright discusses his adaptation of the classic — currently on Broadway.

From “Joseph and the Amazing Technicolor Dreamcoat” to the upcoming “Cats: The Jellicle Ball,” directors, choreographers and marketers weigh in on the advent, evolution and usage of the musical megamix as a creative outlet and marketing tool.

Through casting, choreography and costume design, the ball culture reimagining of the Andrew Lloyd Webber musical is an authentic celebration of the queer community.

From an area in front of the stage to a pit beneath it, from room six floors up to converted dressing rooms, Main Stem musicians play live while handling the challenge of modern configurations.

The behind-closed-doors dramatization of Roald Dahl's real-life scandal riffs on the “inherently artificial” aesthetic of English country house dramas, said playwright Mark Rosenblatt and designer Bob Crowley.

How she managed the schedule and the physicality of creating two very different Broadway shows

No heat required!

To the tune of Tony nominations, an accomplished guitarist dug into history for “Joe Turner's Come and Gone,” while a classical composer was inspired by natural sounds for “Death of a Salesman.”

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The producers of each of the Best Musical nominees reflect on their show's respective journey — and the lessons learned along the way.