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Bryan Reesman's coverage predominantly focuses on entertainment news, musical theater, rock and pop music, bands, and the music industry. He is particularly interested in event coverage related to these topics.
If you are looking to pitch a story idea or source for Bryan, consider offering insights into the latest trends in musical theater or details about upcoming productions. Additionally, providing expert commentary on emerging artists or lesser-known aspects of well-established musicians could capture his interest.
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A one-person show isn’t the easiest theatrical experience to pull off. The lone actor has to be completely invested in the material, sometimes tackling multiple personas beyond the main character, and plunging you into a world that enthralls for the duration of the play. Sean Hayes’ one-man show The Unknown is a psychological thriller that achieves that in spades.
Bryan Reesman talks with sound designer Caroline Eng about her work on this one-man, off-Broadway show — a hard-hitting, creepy psychological thriller starring Sean Hayes.
By: Bryan Reesman
Gold Derby speaks with the all-star cast and crew of the Broadway revival of Richard O'Brien's classic cult musical.
By: Bryan Reesman
The Tony-winning actor reveals that he nearly slept through his chance to make Broadway history in Jonathan Larson's beloved blockbuster.
Can the average American afford to be entertained? Recent headlines suggest the answer is “no.”
[caption id="attachment_389367" align="alignnone" width="800"] Daniel Radcliffe in Every Brilliant Thing. Photo by Matthew Murphy[/caption] One actor on stage. Ninety mics in the venue. Every Brilliant Thing is not your typical...
While people often associate big budget musicals with Broadway, there are many amazing plays that come out every season. Spring of 2026 has proven to be exceptionally good, and the following four shows should all be on your radar. Every single one of them has been nominated for two or more Tony Awards this year.
For "Every Brilliant Thing," Daniel Radcliffe’s one-man Broadway show, each show features extensive audience interaction within the Hudson Theatre on Broadway. Bryan Reesman reached out to associate sound designer Chris Cronin for a look at the setup that sound designer Tom Gibbons, Cronin and A1 George Huckins rely on for every performance.
This $25 million Broadway musical adaptation of the famed ‘80s vampire movie presented sound designer Adam Fisher a new array of interesting challenges.
If you had walked onstage at an X Japan concert at the height of the band's chaotic 1980s/90s rise and told the sea of devoted fans that their ferocious, skin-bashing drummer YOSHIKI would one day headline Walt Disney Concert Hall, you would have been laughed out of the venue. But destiny has a funny way of working out.
