Caitlin Reid

In “Spring Rain: A Life Lived in Gardens,” Marc Hamer wonders what he leaves behind him.

Emahoy Tsegué-Maryam Guèbrou, who died recently, wrote pieces that were elegiac, but suffused with a sense of survival: we are broken, we are wounded, we carry on.

Plus: Queer intimacy onscreen, the drawings of Kahlil Gibran, a Clipse reunion, and more.

A four-part series, “The Super Models,” traces the rise of models into a new cultural stratosphere.

The writer David Ives and the director Joe Mantello continued without the late composer on an adaptation of two lacerating Luis Buñuel films.

One of Australia’s most beloved writers, Garner—who has published novels, nonfiction, and three volumes of diaries—is finally catching on in the U.S.

In films like “Goodfellas” and “Mean Streets,” the director has made a study of how evil happens. His latest, “Killers of the Flower Moon,” asks the same question of one of the darkest chapters in U.S. history.

Bradley Cooper tells David Remnick that he has spent his life preparing for his role in “Maestro” as the iconic conductor Leonard Bernstein—and it shows.

Big-eyed baby bird: five letters.

Avian symbol of peace: four letters.