Carolina A. Miranda is a journalist at various esteemed publications. She focuses on culture and society, with an emphasis on fine art, politics, and pop culture, weaving together themes of arts and entertainment in her work. Carolina's insights have been featured in notable outlets including Yahoo News, The Atlantic, and The New York Times.
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Los Angeles, United States (Local)
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Carolina A. Miranda's coverage predominantly focuses on local art, artists, and exhibitions in the Los Angeles area with specific attention to stories that highlight underrepresented communities or explore historical narratives.
Given her emphasis on expert commentary and event coverage within the entertainment theme, she may be interested in pitches related to upcoming art events, unique artist profiles from diverse backgrounds, or insights into cultural significance of specific exhibitions. Pitches should emphasize local relevance and potential impact on arts and culture in California.
When reaching out to Carolina A. Miranda, consider offering access to experts who can provide meaningful context around artistic movements or exhibits focusing specifically on minority representation in the arts scene.
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After the Cesar Chavez revelations, it's time for tributes to transcend the “great-man theory” of history.
Magdalena Suarez Frimkess, who works with ceramics, has spent decades tapping unlikely sources for wisdom.
By: Carolina A. Miranda
LOS ANGELES — A story about a private investigator might go something like this: A sleuth investigates a crime on behalf of an enigmatic client, is briefly stymied by dead
By: Carolina A. Miranda
Betye Saar, a Los Angeles artist who transformed collections of bigoted bric-a-brac — Sambo dolls, ceramic mammies, and crude renderings of pickaninnies — into potent works of assemblage that mined the searing history of race in the United States, and whose works would influence generations artists…
By: Carolina A. Miranda
LOS ANGELES - Betye Saar, a Los Angeles artist who transformed collections of bigoted bric-à-brac - Sambo dolls, ceramic mammies and crude renderings
By: Carolina A. Miranda
LOS ANGELES — Betye Saar, a Los Angeles artist who transformed collections of bigoted bric-à-brac — Sambo dolls, ceramic mammies and crude renderings of pickaninnies — into potent works of
By: Carolina A. Miranda
LOS ANGELES — Betye Saar, a Los Angeles artist who transformed collections of bigoted bric-à-brac — Sambo dolls, ceramic mammies and crude renderings
The artist, who died just short of her 100th birthday, subverted racist tropes by turning mammy dolls into warriors and presenting the breadth of the Black experience.
This week in Newly Reviewed Carolina Miranda covers three shows in Los Angeles: a group exhibit with Tom of Finland at the center, Betye Saar’s “wearable art” and Esther Pearl Watson’s spaceships.
Maren Hassinger’s alchemical touch transforms the most resistant materials into evocations of the endlessly changing natural world.
