Carrie Battan

A four-part series, “The Super Models,” traces the rise of models into a new cultural stratosphere.

On his new album, “For All the Dogs,” the star rapper wallows in his discontent.

The two franchises, now facing each other in the league’s Finals, have built great teams—and sometimes bent the rules—with unapologetic spending and fierce competitiveness.

On her new album, “Heaven Knows,” the Gen Z songstress displays a yearning quality that’s surprisingly difficult to locate in today’s splintered, chaotic pop world.

Beyoncé's nearly three-hour-long concert film captures a grandiose affair, but it also has its own lofty aspirations.

For the past decade, Beyoncé has been using documentary film to craft a narrative about herself in the absence of traditional press interviews and public appearances. Her films, which include “Life Is But a Dream” (2013) and “Homecoming” (2019), attempt to show audiences just how much labor is involved in the extraordinary job of being Beyoncé. In “Homecoming,” the Netflix documentary she released to supplement her historically ambitious 2018 Coachella performance, the brunt of the work on show was physical.

“Get on Your Knees,” her new Netflix special, is a ninety-minute reflection on the blow job.

One day in early November, the painter Anna Weyant took a friend with her to shop for a coat to wear to LACMA's annual Art + Film Gala.

In the past decade, pregnancy has proved to be the ideal vehicle for raunch—and for observations on class and social mores.

Through an uncanny hybrid of access journalism and fourth-wall breaking, the comedian created an HBO series that was impossible to look away from.