Catherine Ostler is a journalist at various esteemed publications including The Wall Street Journal and The Telegraph. She covers a range of topics within culture and society, particularly focusing on the fashion industry, luxury goods, and pop culture, while also exploring themes related to food and beverages. Catherine's insights and writings have been featured in notable outlets such as the Financial Times, Yahoo News UK, and Tatler.
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Catherine Ostler's coverage revolves around the realms of beauty & fashion, entertainment news, family & relationships, and house & home. Given her focus on profile features, exclusives, announcements, and reviews in these areas, she would likely be interested in pitches that offer exclusive access to prominent figures or events within the beauty and fashion industry.
If you are involved with high-end lifestyle products or services or have insights into luxury travel destinations frequented by celebrities and royalty featured in Tatler magazine articles like The Peninsula Hotel or Raffles London at The OWO; Catherine may be interested in hearing from you.
While no specific geographic focus is mentioned for Catherine's coverage attributes suggest a broader international appeal.
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By: Clara Strunck, Catherine Ostler, Keith Dovkants, Annabel Sampson, Julian Fellowes, Ben Jureidini, Isolde Walters, Julia Llewellyn Smith, Isaac Bickerstaff
The Countess of Grantham was just one of the wealthy American heiresses who married into the British aristocracy during the late 19th and early 20th centuries. In this feature, first published in the July 2022 issue of Tatler, Julian Fellowes wrote about the enduring fascination with those known as the Dollar Princesses
By: Sarah Kennelly, Catherine Ostler, Clara Strunck, Julian Fellowes, David Jenkins, Julia Llewellyn Smith, Hugo Vickers, Isaac Bickerstaff, Annabelle Spranklen, Ben Jureidini, Rebecca Cope
The royal pair lead a surprisingly low-key life and are dedicated to co-parenting their blended family, according to insiders
How a portrait by the French master led a writer to the lost world of Château de Champs-sur-Marne
The Renoir Girls: A Hidden History of Art, War & Betrayal By Catherine Ostler ‘A picture has to be pleasant, delightful and pretty – yes pretty.
I can't resist a courtroom drama. Prince Harry vs the press, for example: journalists I admire on one side, aggrieved celebrities on the other.
Sitting at the white-linen-clothed corner table of her son's restaurant, Bellamy's in Mayfair, Marina Bayliss cuts a supremely elegant figure in this most supremely elegant of London establishments.
By: Catherine Ostler
Pierre-Auguste Renoir's portrait of the daughters of a grand Parisian family would become world famous, but its beauty and renown belies the tragic fate of its subjects.
By: Catherine Ostler
One bright spring day in Paris, the man who would years later become my husband and I walked over a stone bridge onto the Ile St Louis to meet a distant cousin of his grandmother.
Maria Theresa engineered advantageous marriages for her daughters. The youngest would meet her end in Revolutionary France.
The Museu de Arte de São Paulo Assis Chateaubriand (MASP) is suspended in the air above the traffic and the trees of the Avenida Paulista. By some architectural wizardry of concrete and glass the pictures inside stand to attention, as if they, too, are suspended in time and space—a collection that faces in one direction, in orderly fashion, like the Terracotta Army. We are very far from the jostling walls of the Salon of 1881 in Paris, where one of these pictures first hung—necks craning, silk skirts bustling, and all the artworks so tightly packed that they stared back at the audience like faces in a teeming crowd.
