Celia Walden

Explaining Miranda Priestly's schedule to the new intern in the original Devil Wears Prada , Nigel – the art director – says: “She's always 15 minutes early… Which means you're already late.”

Explaining Miranda Priestly’s schedule to the new intern in the original Devil Wears Prada, Nigel - the art director - says: “She’s always 15 minutes early… Which means you’re already late.”

If you've ever filled out a blue badge form – for either yourself or a relative – you know that there's a point of existential crisis about three-quarters of the way through.

Rosamund Pike is right. Grown adults who cannot disconnect for a few hours are ruining the intimate experience for everyone else

Anyone who has read it understands why it’s a classic – why its themes remain relevant 93 years on, and how the social stereotypes George Orwell challenges in Down and Out in Paris and London must continue to be challenged.

Rosamund Pike got a standing ovation for publicly shaming a theatregoer for texting during the finale of her West End play.

"This could be sensitive," the alert on my iPhone warned. "Are you sure you want to view?" I don't think I've ever been so excited in all my life.

“Can you at least wait until we’re outside to do that?” my daughter pleads as we pick up our takeaway coffees from the café counter, and she spots my right hand digging into my bag.

I've never been a fan of circuses. Even before I was old enough to be disturbed by the ethical issues, I would find them too loud and too bright.

If there's one sure way to stop me gossiping forever, it's the unlikely headline: “People who spread rumours have a reproductive advantage, study finds.”