Coleman Spilde is a senior culture writer and critic at Salon. He covers film and its significance in the broader human experience, aiming to clarify the chaos of the world by highlighting impactful films and the artists behind them. Coleman’s work has been featured in various outlets, including Yahoo Sports UK, The Daily Beast, and Vulture.
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Coleman's coverage is heavily focused on entertainment news, including movies, television, pop culture and celebrities. He frequently covers events such as movie releases or TV show premieres, along with reviews of various forms of entertainment.
Given Coleman’s focus on the entertainment industry, he seems to be most receptive to pitches related to newsworthy events in the world of movies, television and pop culture. Sources who can provide exclusive insights into upcoming projects or behind-the-scenes developments may find success in reaching out to him.
As Coleman does not have a specific geographic focus indicated, his coverage appears broad and likely encompasses international as well as domestic entertainment news.
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In "Bang My Box: The Robin Byrd Story," the sex-positive cable TV siren makes the case for aging loudly and proudly
By: Coleman Spilde
David Wain's surreal spin on "The Wizard of Oz" is full of high-concept, laugh-a-minute bits when we need them most
The film-logging platform is weighing a sale. Its users are weighing a mutiny Senior Writer
In her debut film, Georgia Bernstein twists those eerie grandparent scams into a topical, leisurely thrill
Beyond "Jurassic Park," Neill's vast career showed us that humans can be as hideous as the monsters we fear most
Nolan's latest exercise in cinematic spectacle makes Homer feel hollow.
A true cinematic classic must meet its moment in unexpected ways. Curry Barker's smash hit merely winks at it
In reports to shareholders, Ted Sarandos disclosed that the shows you're watching may already be modified by AI
In his magnificent documentary, Ross McElwee evaluates the role of his films in the life and death of his son
Gregg Araki's first film in 12 years declares Gen Z's disaffection with sex a problem only shame can solve
