Dan Duray

“A Second Life,” mostly refers to what art has given her, and it’s possible that going through the exhibition, one could come to know her just as well as if one had met her in per…

In the first edition of our new column, ARS's Katarina Feder answers your questions about artist protections in the A.I. age.

With stints at the Salzburger Kunstverein and Oakville Galleries behind him, he arrives at the Royal Hibernian Academy with a decade of institutional knowledge and a single organizing principle: put the artists first.

One of the towering figures of the Spanish Golden Age, Francisco de Zurbarán has long been overshadowed by his contemporaries, but this show makes a compelling case that he belongs at the very top of the canon.

Arthur Jafa sounds off on the power of scarcity, why we’re still chewing on Duchamp, and his loyalty to Kanye.

With works by Jeffrey Gibson and Wendy Red Star alongside John Singer Sargent and Winslow Homer, the museum’s collection has always defied easy categorization

Staged in Washington against the 250th anniversary of the Declaration of Independence, it frames a life spanning Lincoln to Kennedy as a parable of the nation.

This career-spanning exhibition transforms the museum's West Wing into a thoughtful and moving exploration of absence, beauty and the act of looking.

in a role the two invented over months of conversation. He inherits an institution mid-transformation, with a Johnston Marklee expansion on the way and Art Basel Miami Beach two blocks from his door. We caught up with him to hear more about his new gig.

"I'm excited to learn, to be surprised, and to make something together," the curator told Observer.