David L. Ulin is the Books Editor at Alta Journal. He specializes in arts and entertainment, with a focus on culture and society, exploring the intersections of art and community. His work has been featured in notable publications such as the Los Angeles Times, The Atlantic, and The New York Times, among others.
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David L. Ulin's coverage revolves around entertainment, particularly literature and book reviews, with a focus on local stories from California. He might be interested in pitches related to the literary scene in California, including events, new releases by local authors or interviews with literary figures based in the region.
Given his emphasis on expert commentary and opinion editorials within entertainment themes, he may also appreciate insightful commentary or analysis of trends within the publishing industry or cultural shifts that affect literature.
If you have expertise in these areas and can provide unique perspectives on local literary events or trends within the Californian writing community, it could be valuable to reach out to David L. Ulin for potential coverage opportunities.
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In The Pelican Child, Joy Williams offers 12 takes on the weirdness of the world.
Berman’s book is the California Book Club’s January 2026 selection.
Fitch’s novel is the California Book Club’s March 2026 selection.
Sarris’s novel in stories is the California Book Club’s February 2026 selection.
In The Flowers, Dagoberto Gilb captures adolescence in a fractured Los Angeles—where grit, innocence, and voice collide in a singular vision of American life.
Set in the Inland Empire and Coachella Valley, Susan Straight’s Mecca reveals a Southern California shaped by history, migration, and the restless Santa Ana winds.
In his forthcoming volume, A Third Commonness, the California Book Club’s April author, Robert Hass, connects the dots between writing and reading.
In No Way Home, T.C. Boyle invigorates a classic form.
Bob Dylan and Paul McCartney are wringing great art and performance out of the relationship between the present and the past.
In Lovers XXX, Allie Rowbottom imagines a porn industry pas de deux.
