Deborah Solomon is a journalist at The New York Times. She specializes in art criticism and biography, with a focus on themes such as fine art, art dealing, and the intersection of pop culture and internet culture. Deborah's work has been featured in various publications, including The Pilot LLC, Editor & Publisher Magazine, Strand Magazine, and The Boston Globe.
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By: Deborah Solomon, Grace Holloway, Lara Bevan
Comment Editors Deborah Solomon and Lara Bevan-Shiraz and Co-Editor-in-Chief Grace Holloway lift the lid on King's College London Politics Society's bi-annual debate, charting a night of chaos, heckling and port-fuelled theatrics that left serious argument struggling to be heard.
By: Grace Holloway, Deborah Solomon
At an event hosted by KCL Greens and KCL Politics Society on 1 December, the leader of the Green Party, Zack Polanski, branded King's College London as “morally vacuous” for terminating Usama Ghanmen's visa over pro-Palestine campus protests.
Beloved in Finland, Helene Schjerfbeck is just becoming hot in Manhattan, where a show of paintings at the Met Museum is likely to leave you awe-struck.
Although known for promoting German painters, she also sought out artists who shunned painting in favor of newer mediums, like photography and film.
Marian Goodman, a renowned New York art dealer who favored artwork that was difficult, abstruse, and sometimes unsalable, and who played a key role
Comment Editor Deborah Solomon problematises the fabrication of an ideal 2016 by the “2026 is the new 2016” social media trend.
By: Deborah Solomon
The Frick gathers 25 works by the painter Thomas Gainsborough, a visual compendium of the social biggies in British society.
By: Deborah Solomon
Comment Editor Deborah Solomon unravels the pervasive and unthinking use of AI and the ecological and societal injustice propping this market up.
By: Deborah Solomon
“Angelus Novus,” an artwork with a fascinating back story, including most recently a wartime delay, is a late addition to an already impressive Klee survey at the Jewish Museum.
NEW YORK — Marcel Duchamp, a founder of the Dada movement, is probably the first artist who improved his reputation when he announced that he was abandoning art. He preferred,
