Debra Craine is the Chief Dance Critic at The Times. A life-long dance fan, she has been writing about the arts and entertainment since 1990, focusing on topics such as plays, musicals, and entertainment news. Debra is featured in The Times and The Australian, where her insights into theater and dance continue to resonate with audiences.
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Debra Craine mainly focuses on entertainment news with a significant emphasis on performance reviews, particularly in the theater and dance genres. She also covers design-related aspects of performances.
For those looking to reach out to Debra, it would be beneficial to offer access to unique stories related to the theater or dance world. This could include providing exclusive insights into upcoming performances, behind-the-scenes information about productions, or access to personalities within these industries for profile features.
Given her coverage attributes and topics covered, individuals who can provide detailed background information about specific theatrical or dance events may find success in pitching their stories for potential coverage by Debra.
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The Oklahoma company makes a rare British visit with a triple bill including a jazzy piece set on a submarine by the Hamilton choreographer Andy Blankenbuehler
The South African choreographer’s production focuses on the female characters — with confusing, shambolic results
This anniversary triple bill puts the Rambert dancers through their paces with a trio of ‘high-impact’ creations that prove how strong and versatile they are
By: Debra Craine
English National Ballet’s production at the Royal Albert Hall features a giant screen illustrating the fairytale story, as well as handsome dancing
By: Debra Craine
Relationships — good and bad — were in the spotlight when the Leeds-based company brought its touring mixed bill Interplay to Sadler’s Wells East in London
The State Ballet of Georgia bring their Tchaikovsky production to the London Coliseum, but a limp opening night proved a dispiriting start to the season
Lust, murder and revenge are on the menu as Matthew Bourne revives his compelling ‘dance noir’ for a London summer season at Sadler’s Wells
By: Will Hodgkinson, Debra Craine, Clive Davis, Laura Freeman, Richard Morrison, Dominic Maxwell
From Jack Dee’s one-liners to the new Fleabag, and from Lorde to San Francisco Ballet, these are the hottest tickets for August at the Fringe and beyond
Myths and Modern Masters was an entertaining showcase but the Cuban superstar, back on stage at the Royal Opera House, stole the show
It’s a case of spectacle over substance as the San Francisco Ballet presents the European premiere of its acclaimed AI ballet at the Edinburgh International Festival
