Debra Craine is the Chief Dance Critic at The Times. A life-long dance enthusiast and co-author of the Oxford Dictionary of Dance, she has been writing for The Times since 1990, focusing on the arts and entertainment, particularly in theater and dance. Debra's work has also been featured in The Australian, showcasing her expertise in plays and musicals.
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Debra Craine mainly focuses on entertainment news with a significant emphasis on performance reviews, particularly in the theater and dance genres. She also covers design-related aspects of performances.
For those looking to reach out to Debra, it would be beneficial to offer access to unique stories related to the theater or dance world. This could include providing exclusive insights into upcoming performances, behind-the-scenes information about productions, or access to personalities within these industries for profile features.
Given her coverage attributes and topics covered, individuals who can provide detailed background information about specific theatrical or dance events may find success in pitching their stories for potential coverage by Debra.
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In English National Ballet’s double bill Kameron N Saunders adopts an ambitious conceptual approach alongside a thrilling work by Crystal Pite
By: Richard Morrison, Kevin Maher, Dominic Maxwell, Johanna Thomas-Corr, Will Hodgkinson, Debra Craine, Laura Freeman, Clive Davis
From Les Liaisons Dangereuses and Mayerling to Richard Ashcroft and Ruby Wax, these are the things to see and do in London and nationwide, according to our critics
Kenneth MacMillan’s feverish, sex-soaked blockbuster is danced with wild passion and astonishing emotion at Covent Garden
By: Debra Craine
In this moving version of Pina Bausch’s classic at Sadler’s Wells, nine dancers from the original production, now in their seventies and eighties, meet their younger selves
Shobana Jeyasingh’s dance reimagining of Shakespeare’s play at Sadler’s Wells East in London filters it through Caliban’s eyes. It’s sophisticated and thought-provoking
The Canadian, who danced with David Bowie and thrilled audiences in the Eighties, proves that age is no barrier with her new solo, danses vagabondes, at Sadler’s Wells East in London
The fashion designer was no stranger to music or dance — but was this bizarre Royal Festival Hall show featuring choreography from Michael Clark the best tribute?
By: Debra Craine
The boy ballerinas better known as the Trocks are back on tour — with their trademark combination of technical brilliance and great comic timing
The Oklahoma company makes a rare British visit with a triple bill including a jazzy piece set on a submarine by the Hamilton choreographer Andy Blankenbuehler
The South African choreographer’s production focuses on the female characters — with confusing, shambolic results
