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By: Ellen Gamerman
“Everything Everywhere All at Once” directors Daniel Scheinert and Daniel Kwan won best director for their trippy jaunt through multiple universes in a filmmaking style of just barely contained chaos. The win brought the film’s awards to five so far. Mr. Kwan addressed the power of collective effor
Nicholas Mohammed on transforming Nate Shelley into the show’s antagonist: “He is such a troubled soul.”
By: Ellen Gamerman
Alan Ruck on what it’s like playing the family’s second banana. ‘It’s like, I’m the sad guy. That’s my niche.’
The show stars Ali Wong as a wealthy entrepreneur seeking revenge after her Mercedes almost gets dinged: ‘Rage comes easy. I’m not really performing that.’
By: Ellen Gamerman
An executive’s death can sometimes have the opposite effect, triggering a frenzy of trading that drives share price upward. The lack of a clear successor may add to volatility.
The Roy kids quibble about their status after Logan’s death. Their stepmother is already in control.
By: Ellen Gamerman
The director on how she captured the trials and tribulations of female adolescence.
Tom Wambsgans says the unsayable when it comes to wealth and relationships, revealing a complicated but very real dynamic.
By: Ellen Gamerman
The romance author talks about her preferred font, where she gets her best writing done and collaborating with Shonda Rhimes.
What is an alpha-male househusband? The creator of ‘The Diplomat,’ the Netflix hit starring Keri Russell, explains
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