There’s a certain neat irony at the heart of this. A female director, returning to this opera for a second season (and for its third outing in Holland Park's semi-open staging), has chosen to stay largely faithful to a work whose central idea is that women are inherently unfaithful.
Franco Milazzo is a stage critic at BroadwayWorld.com. He specializes in the realms of arts and entertainment, with a keen focus on theater, plays, musicals, and film and cinema. Franco's insights and critiques have made him a notable voice in the industry, as he shares his expertise on various entertainment news topics.













