Franco Milazzo is a stage critic at BroadwayWorld.com. He specializes in the realms of arts and entertainment, with a keen focus on theater, plays, musicals, and film and cinema. Franco's insights and critiques have made him a notable voice in the industry, as he shares his expertise on various entertainment news topics.
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London, United Kingdom (Local)
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Franco Milazzo predominantly covers theater and performance reviews, occasionally featuring expert commentary. He is likely to respond positively to pitches offering unique angles on theater performances, immersive experiences, or interviews with prominent figures in the entertainment industry.
Consider providing insights into upcoming or ongoing theater productions, especially those that offer an immersive experience for the audience. Additionally, if you have connections to influential personalities within the entertainment industry who can provide valuable commentary or interviews, Franco may find this of interest.
The geographic focus of his coverage is primarily London-based as indicated by mentions of specific venues around London.
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A band of bohemians pitching up in Kensington would normally have the locals reaching for a bottle of smelling salts.
With yet another highly-anticipated series of The Traitors on the horizon, entire streaming channels dedicated to murder mysteries and absolutely
Cabaret-circus-champagne extravaganza Sabrage has been refreshed just in time to lift our hearts in this sorry hour. Wars continue in the Middle East despite claims of a “ceasefire”. Fuel and food prices are heading north for the summer. Fascism leers openly on both sides of the Atlantic. The thirteenth season of Love Island is launching in less than a month. These are desperate times which force one to look deep into one’s soul and quietly ask: what kind of world are we leaving to Cher?
By: Franco Milazzo
Drummers are a particular breed. Keith Moon of The Who famously drove a limousine into a swimming pool during his 21st birthday party. Led Zeppelin’s John Bonham and Motley Crue’s Tommy Lee both engaged in hotel debauchery: Bonham rode motorcycles along corridors while Lee launched fireworks from balconies. Then there was the terrifyingly violent Ginger Baker who, when not raising hell on stage for Cream, threatened those around him with knives and canes. So, at least from a Western perspective, whoever came up with the concept of putting nine drummers into a band was either extremely foolish or admirably brave.
At this point in the history of humanity, a ballet translated from screen to stage or built around a real person is more likely to raise eyebrows than expectations.
There is exactly one joke in Peter Shaffer 's 1965 farce: when the lights come on, the characters are in the dark.
There is a moment, somewhere between the knife-thrower's insane grin and Brian the Goose making his entrance with the unruffled authority of a minor aristocrat, when you simply have to give in to the magic.
There’s a certain neat irony at the heart of this. A female director, returning to this opera for a second season (and for its third outing in Holland Park's semi-open staging), has chosen to stay largely faithful to a work whose central idea is that women are inherently unfaithful.
Mae West famously asked, "Is that a gun in your pocket, or are you happy to see me?" Well, at the beginning of the relationship, they will no doubt be very happy to see you.
Death, it turns out, is an excellent alibi for a party, even one being held in your honour. Legendary magician, beloved family man and complete fiction Dieter Roterburg has sadly died and his wake is being held nightly in the tunnels beneath Waterloo train station.
