Franco Milazzo

When Phantom Peak , one of London's most innovative and ridiculously fun theatrical experiences, holds a Festival Of Innovation, how can one say no?

Serving as a kind of Barber of Seville of theatre, Midsummer Night's Dream is one of the most accessible of Shakespeare's plays.

Sometimes reality and drama overlap so much that it can be hard to tell where one finishes and another starts.

Created by cabaret artist Jack Sears and Royal Ballet soloist Hannah Grennell, Giselle:Remix fuses dance and lip sync

As any fan of this art form will tell you, the first rule of cabaret shows is: never sit in the front row. The second rule is: never tell cabaret virgins the first rule.

What is the difference between a house and a home? And who gets to write history? Interactive experience provokes challenging answers to these

A show dripping in pretension performed by a naked man? An impenetrable work obsessed with having a sex toy deep inside one's backside?

In her PhD on “Deconstructing the Spectacle: Aerial Performance as Critical Practice”, Dr Laura Murphy had a singular mission: “to challenge normative ideas attached to and embedded in aerial work”. In A Spectacle Of Herself, she delivers on this challenge with style and conviction.

Coming on like some kind of sadistic Mr Bean, the scarier-than-Pennywise Doctor Brown has been terrorising audiences with his silent comedy since 2009 and returns to Soho Theatre with his first new show in over a decade.

With their new work Cycles , it is clear that Boy Blue are at something of a crossroads.