Grace Ebert

Photography is often touted as the most democratic and accessible medium in the visual arts. Today, the majority of us carry phones equipped with powerful, easy-to-use cameras that capture our lives and the world around us, transforming each of us into a documentarian at a moment’s notice. This omnipresence shapes our understanding of art and culture and often serves as a critical tool for political and social change.

“Color, for me, is a heightened reality,” says J Carino . Through palettes rooted in a dynamic dance between earth and jewel tones, the artist renders lush scenes in which nude figures commune with nature.

For the Chicago-based gallerist and collector, collecting is an act of ‘building bridges' between creative disciplines – as well as artists and communities.

“Don’t you think it’s dangerous to blur the distinction between abstraction and reality?” asks actress Olivia Vinall in her role as the Surrealist artist and writer Leonora Carrington (1917-2011). The heady line is one of the standout statements in the new biopic documenting Carrington’s life and work.

Six years in the making, Christina Mrozik 's new project tackles “the feelings of all things.” Fifty cards comprise the richly illustrated oracle

Layers of colored pencil and marble dust worked into an oil-like substance flood the linen planes on which Marin Majic works. The Brooklyn-based artist builds upon a foundational drawing, blending various media into a richly textured surface resembling fabric or plaster. Matte finishes radiate across the scenes, appearing like magical glimmers under a night sky.

Some of the most exciting designs emerging from the world of sustainable fashion are those utilizing uncommon materials. There are gowns sculpted with grass roots, sequins made from algae, and electrical wires woven into lace. Now, researchers and designers at Aalto University can add another unusual substance to that list: the remains of a 300-year-old wooden shipwreck.

In Sydney’s Circular Quay, a 6.5-meter-tall installation spins, twirls, and totters amid a public thoroughfare. Titled “There, Now, Here,” the kinetic artwork is by the Brooklyn-based duo Wade and Leta and is in almost constant motion, thanks to wind, motors, and willing participants hopping on a see-saw.

Given the heat generated during firing, it’s rare to see paper incorporated into a ceramics practice. For Seoul-based artist Jongjin Park, though, the two go hand-in-hand.

In Slow Burn, Shawn Huckins puts the cognitive dissonance that defines our current era in stark relief. The New Hampshire-based painter has long challenged American mythology and collective aggrandizing by reinterpreting canonical artworks and visual languages. His series have commented on the U.S.’s proclivity for erasing history and the ways our garments convey social status and class. In this new body of work, he directs us to the contradictory experience of witnessing destruction as both a spectacle and a distant occurrence.