Grace Ebert

If you were to rip open a tattered matchbox, what might you find hidden in its confines? And what’s lurking behind biological renderings and advertisements? Jason Limon imagines a playful world in which vintage illustrations are the colorful veneer concealing a vast, three-dimensional universe populated by skeletons.

How do we distinguish between the artificial and the real? And perhaps more importantly, why should we? Genesis Belanger makes the tension and anxiety that arise from these questions tangible as she lures viewers into an unsettling world.

What good is a ladder without structural integrity? Artist brothers Saman and Sasan Oskouei consider this question in The Weight of Less, an ongoing series of pocked wooden sculptures. From a school desk to a door to an industrial pallet, each humble item is punctured with irregular yet cohesive holes, rendering their former functions impractical.

Felicia Chiao's warm illustrations capture emotion and the variances of mental health through surreal compositions.

The small settlement of Pyramiden on the Norwegian archipelago of Svalbard is literally frozen in time. A former mining outpost for the Soviet Union, industrial operations ceased in 1998, and residents relocated. It wasn’t until 2007 that a handful of new inhabitants made the settlement home.

Since 1998, Fumiaki Aono has been interested in how objects circulate and what happens when they appear in new contexts. Questions of restoration and regeneration naturally followed, and wood became a prime medium for exploring these themes.

'Colorstruck! Painting, Pigment, Affect' delves into how color and social, political, and cultural forces intersect in Black American art.

What best represents European life? The eternal dichotomy of nature vs. culture structures the Central Bank’s quest for a new banknote design, and now, the public can vote and offer feedback on ten proposals.

Japan-based artist En Iwamura is interested in the ways we measure and understand the spaces between ourselves and others.

August 4, 2026 August 4, 2026 In the voluptuous ceramics of En Iwamura , sweeping lines of clay frame minuscule eyes and noses that just barely emerge from the earthen material.