Grayson Haver Currin is a Reporter/Editor at various prominent publications. He specializes in music writing and adventure travel, contributing to outlets such as The New York Times, Pitchfork, and Outside, where he combines his passions for travel and tourism with engaging storytelling. Grayson has been featured in notable publications including The Sydney Morning Herald, Rolling Stone, and NPR.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
Not enough data
Grayson Haver Currin's articles cover a mix of entertainment news, particularly music-related topics, and outdoor adventure themes such as hiking and thru-hiking. Given this focus, Grayson is likely to be interested in pitches related to unique or niche aspects of the music industry, especially those that delve into lesser-known artists or explore behind-the-scenes stories.
For outdoor adventure topics, Grayson may respond well to pitches featuring unconventional hiking routes, gear innovations relevant to long-distance hikers (thru-hikers), and human-interest stories about individuals involved in outdoor adventures.
Given the variety of his coverage attributes (private sector announcements, event coverage, press releases), it seems he might be interested in exclusive features on new product launches within the entertainment or outdoor industries.
This information evolves through artificial intelligence and human feedback. Improve this profile .
Read Grayson Haver Currin’s review of the album.
During its second residency in Las Vegas in April, the legendary jam band introduced a few innovations that turned the cutting-edge venue into an
In 1975, the Detroit singer self-released a perfect document of private-press folk. A rich new box set finally reveals more of his story in psychedelic sound.
Read Grayson Haver Currin’s review of the album.
At 50, the unruly, unpredictable Modest Mouse singer is confronting his own mortality on his best album in two decades, and doing what he can to settle down.
When Karina Rykman was 23, in the summer of 2017, she asked four of her instrumental heroes to drive south to the Pine Barrens of New Jersey with only one clear instruction: They had to improvise together. “No A section, no B section, no hand signals, no bullshit,” Rykman, now 32, tells me one afternoon from her apartment in New York, laughing. “We would step onstage and just play.”
With an eye for novelistic detail, the California quartet conjures a spectral brand of alt-country on its confident and disarming full-length debut.
When Whitney Houston divebombs into the second syllable of “gleaming,” pause the tape.
.jpg)
By: Grayson Haver Currin
Writer Grayson Haver Currin chases tunes on the Crooked Road, a 330-mile route of glorious highway dedicated to homegrown music.
By: Grayson Haver Currin
Everyone in the amorphous drone rock collective Water Damage understood their marching orders late last April: They would play their early afternoon set at Austin Psych Fest in 4/4 time. They’d practiced it and even clued in the day’s special guest, Butthole Surfers drummer King Coffey, to one of the few concrete plans for their 35-minute performance. So just before 2 p.m. on that Saturday, Greg Piwonka counted out the beat and began pounding.
.jpg)
