Hakim Bishara is the Managing Editor at Hyperallergic. He focuses on themes related to fine art, urban art, street art, and the intersections of journalism and media. Hakim is featured in Hyperallergic and is a recipient of the 2019 Andy Warhol Foundation and Creative Capital Arts Writers Grant.
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New York City, United States (Local)
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Hakim Bishara has a strong focus on the local New York art scene, with coverage primarily centered around art shows, artists, and art books. He also delves into cultural events and societal issues related to the arts.
Given Hakim's emphasis on local New York art events and culture-related topics, he would likely be interested in pitches that offer unique insights into the city's art scene or provide access to exclusive interviews with artists showcasing their work in New York.
Additionally, since he covers evolving stories and event coverage related to cultural and artistic themes such as contemporary art, museums, and artists' perspectives on specific exhibitions or controversies within the industry could also pique his interest.
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I got the sense that this biennial is hiding from the world today instead of reflecting on it.
“Ich bin ein Incel,” said the vice president in the presence of manosphere influencers, UFC fighters, and crypto bros.
“On Censorship” offers timely reflections from the dissident artist, whose entire life and career have been marked by state persecution.
Surrounded by her drawings and ceramics, we discussed her evolving art practice and new life as NYC first lady.
A man in a suit, his face covered by a flag, walks toward his own demise. Banksy is back. Not with a mural this time, but with a full-blown sculpture in the heart of London.
MoMA's Marcel Duchamp show made me long for those simpler times when “eliminating the artist's hand” provided a pathway back to the true self.
Activists led by the Art Not Genocide Alliance blocked the entrance to Israel's pavilion while waving Palestine flags on the first day of exhibition previews.
After the last two Biennales searched the soul and history of this nation, how did we end up with this art from the land of the bland?
Dozens of national pavilions were partially or fully shut down in a strike for Palestine and for workers' rights.
The main exhibition of the 2026 Venice Biennale sets rage and retribution aside, relaxing the oppressed's clenched fist for a moment of calm, centeredness, and self-forgiveness.
