Hope Madden is a Co-Founder and Filmmaker at Columbus Underground. She focuses on the film industry and filmmaking, exploring various aspects of arts and entertainment. Hope's work has been featured in the Bucyrus Backpack Program and Columbus Underground.
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Hope Madden's coverage indicates a focus on local entertainment events, particularly film-related topics with an emphasis on Ohio and Columbus. She often features event coverage, expert commentary, seasonal content, and reviews. To effectively reach out to her, consider offering insights or interviews related to the local filmmaking scene in Ohio or new releases by regional filmmakers.
Given her interest in horror films and independent cinema as well as expertise in these areas would likely be valued when pitching ideas for articles or collaboration.
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By: Hope Madden
Bellefontaine’s Holland Theatre, with a legacy dating back to 1931, reopened in 2019 after 21 quiet years. Rolling renovations and improvements have returned the historic performing arts and film theater to its glory, and Executive Director Lance Schmidt has programming plans to entertain the community that brought it back to life. One of those programs, […]
The Indie Gathering Film Festival makes its inaugural run in Columbus the weekend of August 7. “It’s actually the 26th festival,” explains festival director Peter John Ross. Aside from one 5-year stint in New Orleans, the festival has taken place in in a hotel in Cleveland. But Ross was lured to Columbus by the promise […]
By: Hope Madden
Son of Sara review: Houston Bone takes the Satanic pregnancy formula somewhere odder, with sharp performances and a twist worth 90 minutes. (139 characters)
By: Hope Madden
Filmmaker Joshua Clark was ready to tackle his first narrative piece. Head of Gymfea Productions, Clark’s had a hand in nonfiction, commercial, and narrative work for years, but Aubrey was to be his first fiction film as both writer and director.
By: Hope Madden
Nightborn review: Hanna Bergholm returns to maternal horror with a Finnish folktale, Rupert Grint, and a nightmare that never plays tidy.
When two billion-dollar films are dominating the box office, what's Hollywood to do? They push out bunches of smaller films that they didn't spend that much to make.
By: Hope Madden
The Yeti is a 1947 set creature feature with a great cast and practical FX. Our review asks whether the script ever catches up with the monster.
What was your favorite 90's film? See them all again with the Gateway Film Center during Indie 90s: The Revolution That Changed Cinema!
By: Hope Madden
Hellcat film review: Brock Bodell locks Dakota Gorman in a moving Airstream with a voice claiming she is infected. Lean, mean, contrived in places.
As Cinema Columbus kicks off its fifth festival, jumping from a spring to an autumn event, two Columbus filmmakers prepare for hometown premieres of their first feature films. Both films were filmed and set in the Midwest. And both are not quite horror movies. Kaylin Allshouse’s Still Ohio, a time loop mystery about a road […]
