Inkoo Kang

Also: the galloping Americana of Ryan Davis, Michael Urie's tragic “Richard II,” a holiday roundup, Inkoo Kang's TV picks, and more.

Rachel Sennott, the HBO series’ creator and star, may be a relative newcomer to Los Angeles, but she’s a native of the show’s true setting: the internet.

The series, returning for a second season, is the latest example of a new breed—one that relies on elaborate, full-immersion experiments rather than on one-off stunts.

Dan Levy's first scripted series since “Schitt's Creek” is another fish-out-of-water comedy—this one set in a very different milieu.

The creator of “Beef,” Lee Sung Jin, discusses tailoring dialogue to Oscar Isaac and Charles Melton, the differences between Korean and American élites, and making TV in an age of “all-gas, no-brakes capitalism” in an interview with Inkoo Kang.

Also: Sarah Larson’s latest podcast picks, “The Rocky Horror Show” and “The Balusters” on Broadway, the French singer Oklou, and more.

Richard Gadd's follow-up to “Baby Reindeer” traces a decades-long quasi-familial relationship that's thornier than any other male bond on TV.

The AMC dramedy's skewering of tech bros might feel familiar in 2026—but a focus on oft-overlooked elements of the world they've created gives the series a strange verve.

What’s coming this season in TV, theatre, music, movies, dance, and art.

“Euphoria” and “Margo’s Got Money Troubles” are wildly different but equally unrealistic.