Richard Gadd's follow-up to “Baby Reindeer” traces a decades-long quasi-familial relationship that's thornier than any other male bond on TV.
Inkoo Kang is a television critic at The New Yorker. With a rich background in critiquing television, she has previously contributed her insights to The Washington Post and The Hollywood Reporter, as well as serving as a culture writer at Slate. Inkoo's work has been featured in notable publications including The Hollywood Reporter, NPR, and The Philadelphia Tribune.
















