Iris Mandret is an Agente polyvalente réemploi at Agente polyvalente réemploi. She covers a range of themes including arts and entertainment, photography, and cultural issues, with a focus on environmentalism and social topics. Iris is featured in Blind Magazine.
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Iris Mandret's coverage is predominantly focused on culture, society, entertainment news, beauty and fashion. She shows a particular interest in photography and photo books related to artists and ecological imperatives. Based on this focus, pitches for her could involve new artistic developments or trends within the world of photography, as well as emerging talents or innovative projects that relate to ecological concerns.
Given Iris' attention to events and expert commentary, she may be interested in pitches related to upcoming cultural events such as art exhibitions or book launches featuring photographers and artists with an emphasis on their contributions toward addressing ecological challenges.
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By: Iris Mandret
In Niort (West of France), the Rencontres de la Jeune Photographie bring together young photographers from various backgrounds each year, invited to produce and exhibit work connected to the local territory. Sitting between science and poetry, documentary and experimentation, this year's edition explores how photography can engage with living things, the transformations of a territory, and the stories attached to it.
By: Iris Mandret
À Niort, les Rencontres de la Jeune Photograpie réunissent chaque année de jeunes photographes venus de différents horizons, invités à produire et exposer un travail en lien avec le territoire. Entre science et poésie, documentaire et expérimentation, l'édition de cette année interroge la manière dont la photographie peut penser le vivant, les transformations du territoire et les récits qui s'y attachent.
How does one photograph today the way the Impressionists once looked? As the Normandie Impressionniste festival marks the centenary of Claude Monet's death with a 2026 edition turned toward contemporary creation, the work of photographer Jonathan Bertin emerges as a singular reinterpretation of that legacy.
