Joe Pompeo

As the tech website turns 10 this week, its editor in chief reflects on building a sustainable subscription business off Silicon Valley scoops and rigorous reporting aimed at a niche class of readers. “I read it all the time,” gushes Jeff Bezos.

What will the New Year bring for CNN, Fox, The Washington Post, Paramount, The Telegraph, and more?

Sean Durkin spent eight years adapting the story of the Von Erich wrestling family for the screen and found that there is such a thing as too much sadness.

Written and directed by Megan Park, this Sundance gem focuses on a teenager unexpectedly confronted by her older self (Plaza).

I have yet to receive a promised severance following the media start-up’s abrupt collapse, which left hundreds of us without jobs.

The author and Voice veteran chats with Vanity Fair about her acclaimed new oral history of America’s OG alternative newsweekly. “It had a hold on political and cultural movements that other publications didn’t,” she says.

In 1977, a quasi-legal basement venue called the Masque supercharged a scene that gave rise to legends like X, the Germs, and the Go-Go’s. In a pivotal episode largely lost to history, a pair of serial killers claimed one of the Masque’s own.

Since the last Biden-Trump face-off, the media company has a new owner and global mandate, as well as increased competition in DC from Politico alums. Managers are mobilizing accordingly, pressuring staff to up their game—and leaving some “demoralized and frustrated” in the process.

Adam Moss is a painter, but he will tell you, as he does in the introduction to his new book, that he feels silly saying so.

Ahead of Thursday’s final episode on Max, the show’s creator explains why the portrayals of sanctimonious scribes speaking truth to power don’t fit the times.