John Jurgensen is an Entertainment Reporter at The Wall Street Journal. He covers a wide range of topics within the arts and entertainment sector, including celebrities, comedy, and the film industry, while also delving into sports business and media. John’s insights and reporting have been featured in prominent outlets such as MarketWatch, Yahoo Finance, and The Australian.
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John Jurgensen's focus is primarily on the entertainment industry, with a particular emphasis on profiling individuals and covering significant events within Hollywood. To effectively reach out to him, consider offering exclusive access to talent for interviews or behind-the-scenes insights into film and TV productions.
Given his coverage of directors, actors, and television shows, pitches should provide unique story angles about these individuals or their projects. Additionally, providing insights into upcoming major industry events or trends could also be appealing to John.
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The martial arts star has coped with injuries and illness with meditation and training with Buddhist monks
By: John Jurgensen
Nate Bargatze, the country’s top selling stand-up comic, has a grand ambition: a $350 million theme park in Nashville, Tenn.
By: John Jurgensen
John Jurgensen Nate Bargatze has a business plan so unheard of for a stand-up comedian that it sounds like the setup for a joke.
By: Brian Whitton, John Jurgensen
After 11 years and more than 1,800 monologues, the late-night host’s most consistent target was himself.
By: John Jurgensen
The fate of the franchise’s first movie to hit cinemas in seven years rides on the tiny analog creation.
Fans are scrambling to find tickets for deluxe showings of Christopher Nolan’s new IMAX film, experiencing long lines and scalpers selling tickets for around 10 times the original value.
Fans are scrambling to find tickets for deluxe showings of Christopher Nolan's new IMAX film, experiencing long lines and scalpers selling tickets for around 10 times the original value
By: John Jurgensen
The comedian stopped trying to force himself to wake up at 4:30 a.m. ‘Why the hell am I getting up when I really don’t have to?’
By: John Jurgensen
Nolan’s IMAX version of ‘The Odyssey’ reinvents literature’s most famous plot device, applying old-school Hollywood techniques to conjure the intense drama of the Trojan Horse.
Nolan's IMAX version of ‘The Odyssey' reinvents literature's most famous plot device, applying old-school Hollywood techniques to conjure the intense drama of the Trojan Horse
