Kate Kellaway is a writer at The Observer. She focuses on plays and musicals, bringing insightful commentary and analysis to the world of theater. Her work has also been featured in Yahoo Sports Canada, Cigalah Group, and The Guardian.
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London, United Kingdom (Local)
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Kate Kellaway's articles mainly consist of reviews within the entertainment, literature, and house & home sectors. She would likely be interested in pitches related to book releases, poetry readings, theater performances, food events or launches that align with her focus on literary works and cultural events.
Given her high percentage of review coverage, she might welcome invitations for exclusive previews or early access to new books, plays, or artistic productions. Additionally, she may appreciate interviews with authors and artists involved in the creation of such works.
As Kate does not have a specified geographic focus but is affiliated with The Observer (UK), it’s reasonable to assume that she is primarily interested in events happening within the UK.
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By: Kate Kellaway
The British poet’s second collection is an exacting examination of the past, the present and an uncertain future
With this freewheeling examination of creation, gender and art, the bold and original Cusk is ever more determined to write about life precisely as she finds it
The Scottish poet’s latest collection is a small marvel that shows an acute awareness of planetary and personal impermanence
The acclaimed American author on the humour, horror and anger in her latest novel, what she would have as her epitaph and the writers she most admires
By: Kate Kellaway
The actor on starring in a new play about sexual harassment, her portrayal of the Post Office’s Paula Vennells, and the playwright closest to her heart
By: Kate Kellaway
The latest play from the writing duo focuses on the landmark 1997 conference in Japan. They talk about the importance of consensus
By: Kate Kellaway
An excellent cast and clever use of movement add up to a fine revival of Mike Bartlett’s 2012 version of the film, directed by Robert Hastie in his final season as the Crucible’s artistic director
By: Kate Kellaway
Imelda Staunton turbocharges a wondrous West End revival; a heart-warming tale of gay masculinity takes kitchen-sink drama to the next level; and in a hit Australian musical, screaming is the point
Inspired by an unidentified boy found dead in the Thames, the first – and only – collection by the late poet is an imaginative meditation on death and those who disappear
By: Kate Kellaway
Both women have used their work to process childhoods ravaged by neglect and abuse. Meeting for the first time, they discuss survival and anger, Fagan’s new memoir, and the state of the UK’s care system today
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