Katey Rich is the Awards Editor at The Ankler. A well-known Hollywood journalist, she has spent a decade at Vanity Fair and covers a range of topics within the arts and entertainment sphere, including celebrities, comedy, and the film industry. Katey's work has been featured in Glamour Us, Vogue India, Teen Vogue, Vanity Fair, and Los Angeles Magazine.
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Katey Rich's coverage mainly revolves around entertainment news, including events and expert commentary. She may be interested in pitches related to exclusive interviews or insights from industry insiders, especially those tied to prominent events such as film festivals and award shows.
Given the wide range of topics covered within entertainment, she might also appreciate pitches that offer unique angles on celebrity news or trends in the industry. If you have access to exclusive information or can provide a fresh perspective on high-profile events or personalities, it could capture her attention.
As Katey doesn't specify a geographic focus, reaching out with international perspectives on relevant entertainment stories could be well-received.
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Inside the film's crowded supporting actor field. Plus: Alexandria Stapleton took apart Sean Combs with his own story
Tom Pelphrey knows better than most people how much it can mean to be nominated for an Emmy — because he knows what it's like to think you'll get nominated and then… not be.
Plus: ‘Task' and ‘The Gilded Age' director Salli Richardson-Whitfield on her history-making Emmy noms
Today I've got a very exciting conversation to share with Widow's Bay director Hiro Murai , who pulled off something truly impossible on television this year — and may finally win an Emmy as a result.
The filmmaker on their horror satire with Hannah Einbinder and Gillian Anderson. Plus: studio plans for Oscar season
Move over “Somebody get these beggars out of here!” May I propose “I'm gonna be bigger than Lost ” as the new Robert Pattinson meme of the moment?
‘It's very dreamy,' says the double Emmy nominee for ‘Death by Lightning' and ‘Margo's Got Money Troubles'
Emmy-nominated director Lucia Aniello and D.P. Adam Bricker take me through the final season's unforgettable scenes
The Emmy nominee on what he's learned from an enviable list of auteurs: ‘I'm kind of this sponge'
Which actress doesn't like her character? Who (mostly) threw away the script? My recap of our starry inaugural shindig
