Kim Tidwell is a Writer and Creative Strategist at Print Magazine. She focuses on topics related to graphic design, authors, books, and publishing houses, blending her love for visual art with literary exploration. Kim's work has been featured in Print Magazine, showcasing her unique perspective on the intersection of creativity and storytelling.
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Kim Tidwell's articles focus heavily on design, typography, and branding. Given her interest in expert commentary, she would likely be interested in engaging with professionals who can provide unique insights into the latest trends or developments within the design industry. Professionals specializing in typography, branding strategies, and innovative design concepts might find success reaching out to Kim for potential collaboration.
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George Gottl on facilitating meaningful connections, space as a storyteller, and the compounding nature of opportunity.
By: Kim Tidwell
Technology may extend our reach, but humanity defines our direction, writes Justin Ahrens.
Kate Watts on Coco Chanel's Little Black Dress, Post-it Notes, and the one thing AI cannot replace: the capacity for the intuitive left turn.
As a branding professional born outside the United States, I grew up seeing America not just as a country, but as a global brand with a spectacular story. It had all the hallmarks of a great brand: a bold origin story, strong visuals (stars and stripes, landmarks, etc), a consistent tone of voice, an evocative national anthem, and a big, emotional promise: freedom, opportunity, and unity. America wasn’t just selling a lifestyle; it was selling a dream.
PRINT Magazine’s former editor and longtime contributor, Zachary Petit, has curated our book cover features since 2023. I will do my best to fill his mighty, aesthetically tuned shoes as I catch up with brilliant book cover designs from September, October, and November. What a fall it’s been!
Designer and lettering artist Mark Caneso churns out one vibrant, personality-filled typeface after another, so it’s no mystery why he is a regular in our Type Tuesday column. His newest release, Please, is a family of three variable fonts (voices, as Caneso calls them): Please (perfectly proportional and versatile body copy), Please Display (distinctly bold headlines), and Please Poster (look at meeee!).
By: Kim Tidwell
Seoul is a city of contrasts. Modern—even futuristic—architecture rubs shoulders with ancient Buddhist temples and royal palaces. Seoulites’ love of pop culture is visible everywhere, as is their reverence for the city’s history and heritage. Seoul’s high-tech subway system connects it all.
By: Kim Tidwell
Nigel Cottier's new book views the alphabet as a container for countless graphic design systems, conceptual ideas, and endless play
By: Kim Tidwell
A place is not simply a location on a map. There’s dynamism at the heart of creative communities that hone their craft in a particular location.
Book cover design has been top of mind in the recent news cycle. Rightly so. Covers play a significant role in persuading potential readers in a very noisy marketplace, with more than $21 billion in revenue (2024) at stake for trade publishers. Before we get into this month’s designs, I want to highlight two book cover features worth your time.
