Kirsty Hazlewood is a journalist at Cinematography World and IBC - International Broadcasting Convention. She specializes in the arts and entertainment sector, with a focus on film and cinema, filmmaking equipment, photography, and event technology, covering a range of topics from the film industry to trade shows. Kirsty's work has been featured in prominent publications, highlighting her expertise in both the creative and technical aspects of the entertainment landscape.
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Los Angeles, United States (Local)
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Kirsty's coverage predominantly focuses on the film industry, including awards, cinematography, and film releases. She often includes press releases and event coverage in her articles. To effectively reach out to Kirsty Hazlewood, consider providing newsworthy announcements related to the entertainment industry such as film festivals or significant milestones achieved by companies within this space.
As she doesn't have a specified geographic focus, contributors from various regions can pitch stories about the global entertainment industry without restriction. Additionally, experts with insights into trends in cinematography or significant events impacting the film industry may find receptive audiences through pitches to Kirsty.
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By: Kirsty Hazlewood
Zeiss is launching their new Panoptes 65 primes at Cine Gear Expo in Los Angeles, on June 5, 2026. For the first time, show attendees can get hands-on with these new lenses. Designed for the 65mm format, this comprehensive set of ten primes represents the Zeiss definitive commitment to large-format cinematography. The Panoptes 65 brings […]
By: Kirsty Hazlewood
The Ronin 4D is DJI’s powerful 4-axis cinema camera that combines detailed imaging, stabilisation, focusing systems, as well as wireless transmission and control all in one comprehensive ecosystem. Choose from either the 6k or 8K full frame Zenmuse X9 camera, which paired with the CineCore 3.0 image processing system provides internal Apple ProRes RAW, ProRes […]
By: Kirsty Hazlewood
Zeiss unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows. Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic […]
By: Kirsty Hazlewood
Prologis UK has completed the letting of DC2 at Central Park, Park Royal to film and television equipment specialist One Stop Films, bringing the estate to full occupancy. The London-based business has signed a five-year lease on the 18,102 sq ft unit, which it will use for equipment rental operations, deliveries and studio space. The […]
By: Kirsty Hazlewood
SmallHD will debut a new OLED 4K production monitor with a 16” display, the OLED 16, that combines OLED’s industry-benchmark contrast ratio, exceptional color accuracy, customizable dials, WiFi integration, and set-ready construction for on-set workflows. “Our new OLED 16 4K Monitor addresses the need for infinite contrast, true blacks, shadow detail, precise colour reproduction, and […]
By: Kirsty Hazlewood
DoPchoice introduces a complete light-shaping system for the new Creamsource Vortex2, further expanding the fixture’s wide versatility. This novel modular Snapbag for Vortex2 comes with Snapgrid and Snapcloth diffusion options designed for both single and dual-fixture configurations. At the heart of the system is the new Snapbag for Vortex2, developed to add light control options […]
By: Kirsty Hazlewood
Cine Gear Expo has announced the recipients of its 2026 Awards of Excellence, honouring three of the cinematography industry’s most distinguished figures: Ed Lachman ASC, Caleb Deschanel ASC, and M. David Mullen ASC. The awards ceremony will take place during the VIP After Party on Friday, June 5th, as part of the 30th Annual Cine […]
By: Kirsty Hazlewood
Planned to be available first half of 2027 Sony is expanding its long-term commitment to the cinema industry with the development of Rialto 65, a new 65mm format [1] capable image sensor block for the Venice 2, targeting release in the first half of 2027. Designed to extend the capabilities of the Venice 2 platform, […]
The Fernseh- und Kinotechnische Gesellschaft FKTG (Television and Cinema Technology Society) is one of Germany’s most long-established technical associations. It traces its origins to the fusion of the Deutsche Kinotechnische Gesellschaft, founded in 1920, with the Fernsehtechnische Gesellschaft, founded in 1952. Following a successful online election in the first quarter of 2026, the newly elected […]
By: Kirsty Hazlewood
Creamsource, known for its tried-and-true Vortex Series of cinematic lighting, has announced the Vortex2 (V2) and Vortex2 Soft (V2S), two compact additions to the Vortex family that carry over the same CreamOS workflow, colour science, rugged build quality, and IP65 weather resistance crews have come to expect from the range – now in a smaller […]
