Kunal Kothari

As the film completes a decade, fans continue to revisit several memorable moments from the Sajid Farhad directorial. Among them, one scene stands out as an uncontested favourite. The legendary Ashok Fitness sequence remains one of the funniest examples of Bollywood embracing pure absurdity and somehow making it work perfectly.

Bandar emerges as precisely the kind of film that reminds us why we fell in love with Anurag Kashyap's cinema in the first place. Not always correct but just engaging enough.

There is an undeniable sense of comfort that accompanies every episode. That familiarity remains one of the show's biggest strengths. Ironically, it is also becoming one of its biggest challenges.

So far, amongst the flock of releases that have swamped the theaters this week, in terms of numbers, Peddi has emerged as the clear winner of the weekend box office race so far.

Ram Charan's Peddi has emerged as the undisputed champion, while Hai Jawani Toh Ishq Hona Hai stayed steady but Bandar has been massive struggles.

Revisiting the viral mimicry, Dhawan was asked whether Hrithik Roshan is as cool and easygoing in real life as he appears to be. Responding to the question, Varun shared a heartwarming exchange that took place after the episode aired.

In a dramatic turn of events, Janhvi Kapoor's controversial scenes in the upcoming film 'Peddi' have been excised following significant backlash. Director Buchi Babu Sana has come forward to address the controversy, revealing that the decision was made after viewers misinterpreted certain scenes as hypersexualised.

What begins as a straightforward police procedural soon evolves into a disturbing study of humanity at its worst. With Ali Fazal leading the charge and two unforgettable villains at its center, Raakh cannot be missed.

Disclosure Day will test your patience and frequently demand your attention, especially when its slower stretches become longer than they need to be. Yet it ultimately delivers where you most expect it to. It immerses you, intrigues you and, by the time it reaches its final moments, leaves you carrying a quiet emotional weight that lingers longer than you might anticipate.

For someone making a feature debut at the age of twenty which is Kane Parsons here, the confidence, imagination and technical command on display here are extraordinary and whatever conflicting thoughts you might have about it, it is still exemplary.