Kyle Meredith

There's a point in every Maya Hawke conversation where the interview stops feeling like press and starts sounding more like someone trying to diagram the emotional wiring of modern adulthood in real time.

Felicia Day on The Lost Daughter of Sparta, Breaking the Hero's Journey, and Getting Mad at Hollywood

There's a point in Jack Antonoff 's new Bleachers album, everyone for ten minutes , when you notice that it sounds like he's tracing the map back to the band's beginnings.

Remington Smith on Vampire Landlords, Poverty Horror, and Making Movies Without a Parachute

Marisa Tomei on Narcissists, Bad Instincts, and the Group Therapy Romcom Marisa Tomei knows the sentence sounds ridiculous before it even lands.

Sherry Cola on Narcissists, Mother-Daughter Damage, and Why Shrinking Broke Everyone's Heart

Kimiko Glenn has spent years letting other people see her as Kiff, Baby Shark, Peni Parker, Brook Soso, and whatever other animated, theatrical, or

Ciara Bravo & Marco Pigossi on Narcissists, Mother Trouble, and the Guy Who Looks Too Nice to Be Dangerous

There's a point in where Judith Light barely seems human anymore — which is exactly why she's so mesmerizing in it.

Meg Fister on Kentucky Film, Indie Budgets, and Hollywood Attention