Lauren Michele Jackson is a contributing writer at The New Yorker, focusing on culture and politics. She is also an assistant professor of English at Northwestern University and a fellow at New America, with her work exploring themes of identity and societal issues. Jackson's writing has been featured in BOMB Magazine, The New York Review of Books, and ESPN Classic, among others.
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Lauren Michele Jackson's articles predominantly cover lifestyle, entertainment news, and entertainment topics. Her coverage includes expert commentary, data citations, reviews, and opinion editorials.
Given her focus on gender studies, feminism, media representation and art history within the context of entertainment and lifestyle, she would likely be interested in pitches related to cultural analysis or critiques that offer unique perspectives on these subjects. Topics could include insights into film theory as it pertains to social issues or representations in media. Pitches offering expert commentary from scholars or professionals with a deep understanding of these areas may also be well received.
It is important for potential contributors to keep in mind Lauren’s national (United States) geographic focus when addressing any local relevance within their pitches.
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By: Lauren Michele Jackson, Kyle Chayka, Kelefa Sanneh, Emily Nussbaum, Elena Saavedra Buckley, Brady Brickner-Wood, Matt Alt, William Robin, Sheldon Pearce, Holden Seidlitz
The band Cafuné had a social-media megahit in 2022 with the endlessly remixed “Tek It.” Now they want to make music that’s less online.
By: Kelefa Sanneh, Lauren Michele Jackson, Joshua Rothman, Françoise Mouly, Jay Martel, Dan Rockmore, John Cassidy, Brady Brickner-Wood, Cal Newport, Shannon Sims
From the daily newsletter: generative art is about to be as influential as the algorithm—but not in the way you think.
The author discusses his latest novel, “Minor Black Figures,” and the discourse around racial subjectivity.
The city has often been spoken about as a war zone in need of saving from itself. But at home, as abroad, America’s enemies are so often of American invention.
The actor and comedian talks about collaborating with Wallace Shawn, embracing the emotion of performance, and his directorial début, “Maddie’s Secret,” in which he plays a food influencer struggling with an eating disorder.
The flute-playing rapper became an icon of brand-friendly body positivity in the twenty-tens. Who is she now?
By: Lauren Michele Jackson
Artist Njideka Akunyili Crosby on the instincts and inspirations behind her landmark painting
The go-getter woman needs a better alibi, or else to quit telling stories. Is that Kamala Harris, peeping out from beneath her collapsed tent, smugly threatening the American people with another run?
By: Lauren Michele Jackson
Kylie Minogue's 2023 hit belongs to a category of solid, danceable pop music that barely penetrates the eardrums of self-professed thirtysomething old folks.
Let's say it in unison: this isn't helping . By “this,” we mean commentary, though I prefer “criticism,” an enterprise that, in its contemporary
