End of the Rainbow feels like a prison drama set in London in 1969. Judy Garland is about to give a string of solo shows in the West End and she’s preparing at the Ritz under the supervision of her cruel boyfriend, Mickey Deans, who doubles as her publicist and drug dealer. Her British pianist,
Lloyd Evans is a sketch-writer and theatre critic at The Spectator. He focuses on the arts and entertainment landscape, particularly in theatre, books, and publishing, while also exploring themes related to artificial intelligence and media. Lloyd's work has been featured in Men's Health Australia, Regulation Asia, CTV News Northern Ontario, Banbury Guardian, The Spectator, The Spectator Australia, and The Spectator World.







