Lucy Gellman is the Editor at The Arts Paper. She focuses on a diverse range of topics within the arts and entertainment sector, including theater, music, cultural movements, and urban art, while also exploring themes of accessibility and civil rights. Lucy's work has been featured in the New Haven Independent and The Arts Council of Greater New Haven.
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New Haven, United States (Local)
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Lucy Gellman's coverage focuses on local events, arts, and culture in New Haven, Connecticut. She is likely to be interested in pitches related to art exhibitions, community events, music performances, theater productions, seasonal festivals or celebrations taking place within the local area.
Given her focus on event coverage and seasonal themes such as holiday celebrations and festivals during Winterfest for example, she may also welcome story ideas that tie into specific seasons or coincide with upcoming events happening within the New Haven area.
When reaching out to Lucy Gellman it would be beneficial to tailor your pitch specifically towards local cultural happenings in New Haven that align with her areas of interest such as art shows featuring local artists or community-driven initiatives centered around activism and social issues.
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By: Lucy Gellman
Author Jill Snyder took one step forward, and then another, and then another, a dozen voices floating through the warm air around her. “We are mar-ch-ing in the light of God / We are marching in the light of God,” people sang, the sound overlapping in rich, layered tones.
By: Lucy Gellman
opened its doors to hundreds of New Haveners during a Juneteenth ribbon cutting and grand opening. Amid glowing remarks, never-ending hors d'oeuvres, and joyful conversation that filled the building, speakers and neighbors alike framed it as part of a historic neighborhood's revival.
By: Lucy Gellman
A quintet of voices, each of them bright and steady, filled the field house, drifting out toward Sherman Avenue on one side, and Crescent on the other.
The performers were an album, spinning on an old-school turntable. Shoulder to shoulder, they rotated, feet moving, sound floating over the audience.
. In just over an hour, it became a lesson in how to teach history, build and maintain community, and speak truth to power through the arts, even and especially when it feels increasingly transgressive to do so.
With a Jamaican flag wrapped tightly around her shoulders, Patricia Gardner seemed to glow in the sunlight.
. Along the way, his care for the city—its people and places, including fellow artists—has become a new chapter in his work that he is hoping to expand as he nears a decade in the Elm City.
By: Lucy Gellman
Throughout the morning, and despite an unrelenting summer heat, many spoke passionately about their hope for the country's future, and belief that refugees are a central part of the country's history and present.
By: Lucy Gellman
The trumpet, clean and bright as it hit the air, was the kind of thing a person could feel in their bones. The notes climbed, each so crisp it felt possible to reach out and touch them. They swooped over keys and percussion, then dipped towards the pavement-turned-stage. The instrument, almost growling, let loose a rippling cascade of sound.
Awardee Marcella Monk Flake (center). Credit: Joel Calloway photos
