Maheen Sabeeh is a journalist at The News International. She focuses on arts and entertainment, with a particular emphasis on the film industry, music business, and cultural movements, exploring themes such as internet culture and subcultures. Maheen's work has been featured in notable publications, highlighting her expertise in music genres and filmmaking.
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Pakistan (National)
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Maheen Sabeeh's coverage primarily focuses on entertainment news, with a strong emphasis on music-related topics. She often includes expert commentary, indicating receptiveness to industry insights or perspectives from credible sources within the music and entertainment sector.
Given her focus on Pakistani music and artists, Maheen is likely to be interested in pitches related to local musicians, upcoming albums, collaborations, and significant achievements within the Pakistani music industry. Pitches highlighting unique aspects of Pakistani music or providing insider perspectives may resonate well with her.
As she has a geographic focus on Karachi and Pakistan as a whole, pitches should consider aligning content with local events or trends within the country's music scene while keeping an eye out for opportunities that could have broader appeal beyond this specific geographic region.
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“My DNA not for imitation Your DNA an abomination” – ‘DNA' by Kendrick Lamar Every generation finds its own soundtrack.
With Confessions II – The Film, the Queen of Pop makes the kind of comeback befitting her legacy, blending nostalgia, a host of celebrity cameos and new music into a deeply personal visual statement.
Between A Good Girl’s Guide to Murder and The Other Bennet Sister, director Asim Abbasi is having an international moment, with both series getting excellent reviews. In this interview, he talks about directing two dramatically different projects, why Barzakh was pulled from YouTube and what it means to work with adapted material rather than writing his own stories.
The triumph of Asim Abbasi's British shows cannot be overstated. As this story is being written, the BBC and BritBox have confirmed that a three-episode Christmas special of The Other Bennet Sister is in the pipeline. Sarah Quintrell is returning as the writer for all three parts with storylines by author Janice Hadlow. More to the point, series director Asim Abbasi is also returning to direct the three-part special. In this concluding part of the interview, Asim Abbasi talks about what it has been like to shoot a period piece like The Other Bennet Sister and a lot more…
As co-curator of Humnava, singer-songwriter, guitar wizard and producer Sherry Khattak is championing a different way of making music, one rooted in collaboration, live performance and cultural exchange.
When Pakistan's Got Talent finally hit our screens, the hype was always going to be massive. This isn't just another typical singing show or standard reality TV setup. There isn't a genre of entertainment attached to it. You can do pretty much anything.
When Rap Icon premiered, its biggest challenge wasn't finding talented rappers. Pakistan's underground hip-hop scene has long been home to gifted lyricists, battle rappers and independent artists waiting for a platform that could bring them to a wider audience, from cypher videos shot in bedrooms to festival slots that rarely translated into mainstream visibility. The real test was whether a television competition could stay true to the culture without devolving into melodrama and manufactured conflict. Eight episodes in, it has largely succeeded.
Episodes nine and ten push Rap Icon Pakistan beyond performance and into something more revealing: what happens when contestants have to own their words with nothing else to hide behind?
Talking to Misbah (Syed Misbah Uddin, better known as Misbah) is like talking to an old friend. Our conversation doesn't begin with his music outright.
“It's been a long day without you, my friend And I'll tell you all about it when I see you again” – ‘See you again' by Wiz Khalifa
