Mahita Gajanan is an editor at TIME. She covers culture with a focus on entertainment news, nightlife, and the film industry, including filmmaking. Mahita's work has been featured in TIME and Newswav.
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Mahita Gajanan's coverage primarily focuses on event and seasonal content, particularly entertainment news. She seems to be interested in covering events such as awards ceremonies and their biggest moments. Her articles also encompass topics related to streaming platforms, true crime, television shows, celebrities and the latest releases.
To effectively reach out to Mahita with pitches or insights, consider providing exclusive details about upcoming major events within the entertainment industry, interesting facts or behind-the-scenes stories from popular TV shows or movies, interviews with well-known personalities in the entertainment world, updates on new releases across various streaming platforms or any developments related to true crime dramas.
As she covers a broad range of topics within the entertainment sphere without a specific geographic focus identified we can assume that her interests are not restricted by region.
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M any men populate Sonali Dev's 2022 contemporary romantic comedy, The Vibrant Years , but its emotional core lies between three generations of women in the Desai family.
Here’s why it made the list
By: Mahita Gajanan
Here’s why it made the list
By: Meg Zukin, Cady Lang, Judy Berman, Mahita Gajanan, Rachel Sonis, Eliza Berman
From the wine-drinking dog in Season 1 to a post-breakup jet ski ride in Season 6
By: Judy Berman, Mahita Gajanan, Rachel Sonis, Eliza Berman
N othing causes a stir quite like a woman who veers from her expected place. Jessica Anthony's fourth novel, The Most , takes place over a
B ethany Joy Lenz's sharp memoir traces how she became involved with a cultish group called the Big House Family, which took advantage of her for 10 years.
Here's why it made the list
Here's why it made the list
By: Mahita Gajanan
Shah Rukh Khan spoke with TIME about attending the 2025 Met Gala and his hopes for the future of movies
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