Manuel Betancourt is a Writer and Editor at various publications. He specializes in the film industry and filmmaking, exploring themes related to cinematic storytelling and critique. Manuel's work has been featured in notable outlets such as Vulture, The A.V. Club, and Variety, among others.
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By: Manuel Betancourt
Argentine filmmaker Gastón Solnicki finds a fittingly eccentric muse in Willem Dafoe, who plays a proud man unwilling to accept the inevitability of progress.
Monster: The Ed Gein Story is guilty of the very sensationalism it critiques
In Harlan Coben's Lazarus, a groan-worthy ghost is born
By: Manuel Betancourt
Mehiel has long been building a body of work that centers on the very work of having a body. Their performance on 'After the Hunt' is a continuation of that effort.
By: Manuel Betancourt
An all-American family is torn apart by a dystopian political landscape in Jan Komasa’s too-timely film, starring Dylan O'Brien and Phoebe Dynevor.
By: Manuel Betancourt
With the help of Inevitable Foundation’s Visionary Fellowship, disabled artists like Bode and filmmaker Katherine Craft offer a template for accessibility in Hollywood.
| 'Wicked's' Marissa Bode and Inevitable Foundation work behind the scenes for more inclusive film shoots - Story by Manuel Betancourt
By: Manuel Betancourt
Italy's Oscar submission is a wounding portrait of a family (and a budding fascist) trying to heal.
"Ugh, chill culture is so annoying to me. You can't all be lifeguards." Photo: Kenny Laubbacher/HBO
Rebels political and cultural stand out in some of the year's best work by costume designers, from 'Wicked: For Good' to 'Pillion.'
