By: Mark Goodman, Eros Hoagland
Kathryn Bigelow’s new film, A House of Dynamite, presents a compelling, Rashomon-style dissection of a moment of crisis from three different perspectives. Other nuclear wonks have praised the film for exposing the dangers of nuclear weapons. While the film is a work of cinematic art in its own right, Bigelow’s main objective is to make the audience reflect on those dangers and discuss how to deal with them.
















