Mark Seifert is a Creative Director at Bleeding Cool. He specializes in publishing and media, with a keen interest in arts and entertainment, particularly film and cinema, as well as topics related to animals and animal cruelty. Mark is featured in Bleeding Cool, where he shares his insights on authors, books, and the latest in entertainment news.
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Pep Comics #50 is a key example of the rise of Archie in progress, as the MLJ superheroes lose their cover prominence in 1944.
There are only seven copies of Funny Pages V2#7 on the CGC Census, and higher graded copies almost never come up for sale.
Legendary artist Nick Cardy takes this cover to the Lost World based on an interior feature called "Caveman Killers" in Jungle Comics #16.
Beyond the Blue Beetle cover feature, Mystery Men Comics #21's D-13 story has the hero taking on a bombing attack against Washington
By: Mark Seifert
Released the same week as the debut of Crime Does Not Pay, Biro's bizarre Daredevil #11 cover helps signal the arrival of the Charles Biro & Bob Wood era.
The second issue of Whiz Comics jumps head first into a United States invasion plot masterminded by Captain Marvel supervillain Sivana.
By: Mark Seifert
Lou Fine and Will Eisner's Flame cover feature for Wonderworld Comics #9 was inspired by real U-Boat attacks in the opening moments of WWII.
By: Mark Seifert
Weeks after Romania's 1940 political crisis, Top-Notch Comics #10 transformed it into a short Fran Frazer story with surprising detail.
By: Mark Seifert
Fantastic Comics #7 is an example of the Fox line at its best, with an array of wild science fiction including a Stardust story that literally stops the world.
By: Mark Seifert
The Detective comic book that came out before Detective Comics, Detective Picture Stories #1 was the first to focus on the theme.
