Max Blue is an Arts Critic at various esteemed publications. He focuses on the intersection of urban art and fine art, exploring themes in art dealing and public art, particularly in relation to the evolving landscape of The City’s artistic expression. Max has been featured in the Nob Hill Gazette, The San Francisco Standard, Alta Journal, KQED, Hyperallergic, SF Weekly, and the San Francisco Examiner.
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Max Blue's coverage is heavily focused on lifestyle and design, particularly within the local arts scene of San Francisco. Given his strong emphasis on announcements and press releases, Max would likely be interested in pitches that offer exclusive insights into upcoming art shows or cultural events happening specifically in the San Francisco area.
Considering Max's focus on specific exhibitions and artists, he may appreciate pitches from individuals directly involved with these events such as curators, featured artists, or gallery owners who can provide unique perspectives or behind-the-scenes insights.
Since Max’s geographic focus is localized to San Francisco and California at large, any pitched content should have a clear relevance to this particular region.
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City Hall is giving them uncertainty.
Across galleries, museums, and outdoor sculpture, he connects Indigenous land practices in California, the Hudson Valley, and beyond.
Local arts leaders worry the City won’t support them when it matters most.
Demetri Broxton beads an ancestral path, Mildred Howard gets an overdue retrospective, 14 galleries share one space, Diedrick Brackens tends a garden, and more.
A show at di Rosa SF celebrates the past and present artists of Oakland’s first live/work community.
In the exhibition “Slice of the Pie,” 14 galleries have joined forces to celebrate The City’s artistic community, share resources and extend an open invitation to the public.
For columnist Max Blue, Shaping Legacy exemplifies public art done right, maintaining its most important principle — an emphasis on the public
Matthew Goudeau, a veteran of both city government and arts administration, will lead The City's art community into uncharted territory as head of the newly reimagined San Francisco Arts Commission.
At age 83, the former Black Panther Party culture minister continues to explore the possibilities of unapologetically political art.
Careful what you wish for, writes arts columnist Max Blue. It just might be disaster capitalism at work.
