Mayank Shekhar is a journalist at India Today and Mid-Day. He predominantly writes on desi mass and pop culture, with a focus on the film industry and filmmaking. His insights and commentary on these topics have been featured in prominent publications.
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Mayank Shekhar's coverage focuses primarily on entertainment news, with a strong emphasis on Bollywood and Indian cinema. He frequently publishes movie reviews and exclusive content related to actors and the film industry.
If you are looking to pitch to Mayank, consider offering exclusive insights or commentary from industry experts within the Bollywood or Indian cinema space. Additionally, if you have unique access to behind-the-scenes information about movies or actors in this industry, it may capture his interest.
Given his local geographic focus on India, Maharashtra, and Mumbai, pitches related to events or developments specific to these areas may resonate more effectively.
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By: Mayank Shekhar
Neeraj Ghaywan’s Homebound makes the audience conscious of their own privileges in 2 hours. There’s no denying why it’s the year’s best Indian film, thus far.
Sunny Sanskari Ki Tulsi Kumari review: Literally every gag in the film bears a stale Bollywood/filmy reference, making this mainly a series of sasta in-jokes.
By: Mayank Shekhar
120 Bahadur: Blending emotional depth with technical finesse, the film highlights the bravery of the Ahir soldiers who fought against overwhelming odds in 1962
Tere Ishk Mein movie review: Starting with the Tamil superstar, Dhanush, opposite Kriti Sanon, from up North, over a mainstream romance, with the hero, in Delhi
Dhurandhar movie review: This one’s eyeing footfalls like Pushpa 2! Look at the kinda money they’ve spent on making it
By: Mayank Shekhar
Half the film is entirely the longest possible ad for Croatian tourism, along with proper scrolls to index each location — the likes of Split, Trogir Port
Ikkis movie review: It makes no mistake, is the immersive, claustrophobic insides of a bloody battle-tank as the Indian Army advances across the border.
How’s everyone going gaga over a seemingly corporate film?Read More
What’s it about the overnight star of Sooraj Barjatya’s Maine Pyar Kiya — she left the movies right after, but that love never did…Read More
A theatre owner’s PoV on pictures also rather unique, no?Read More
