Mike Hobart is a journalist and music critic who writes for the Financial Times. His articles and reviews cover a wide range of jazz and music-related topics, showcasing his expertise in the field. His work has also been featured in Bitcoin Magazine, demonstrating his diverse interests and ability to cover different subjects.
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Mike Hobart's focus is primarily on reviewing jazz albums and covering live music performances. He seems interested in exclusive content, potentially offering unique perspectives or access to events not widely covered. If you have an upcoming jazz album release, a noteworthy performance, or insider insights into the jazz industry, reaching out with exclusive details may pique his interest.
Given his extensive coverage of jazz music and live performances, Mike could be open to receiving pitches related to emerging talents in the genre, significant collaborations between artists, or special events within the global jazz community that align with his areas of expertise.
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By: Mike Hobart
This freewheeling weave of tape loops, piano and drums captures the feel of a tight-working band
The guitarist’s commanding playing makes each bend, whine and strum count in this double album
By: Mike Hobart
Reduced to a trio by their trumpeter’s illness, the bassist’s ensemble played an intense ad hoc set
By: Mike Hobart
There are more than 300 concerts in the festival, which starts November 10
By: Mike Hobart
The pianist and saxophonist fuse together classical, jazz and Latin influences in a delightful new release
By: Mike Hobart
The dazzling keyboardist’s trio combine hip-hop and jazz
Moods are enhanced by synthetic sounds as the Finnish trumpeter leads an impressive quartet
By: Mike Hobart
Plus: Roxy Coss at club Toulouse Lautrec hit the ground running
By: Mike Hobart
A two-disc release offers fresh insights into a legendary 1953 concert in Toronto
By: Mike Hobart
The label’s breakthrough headliners perform on an original set ranging from the ecstatic to the contemplative
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