Mitch Mosk is the Editor-in-Chief at Atwood Magazine. He focuses on the arts and entertainment sector, with a particular emphasis on music genres and theater, often exploring the intersection of these fields through his writing. Mitch's insights and contributions can be found in Atwood Magazine, where he shares his passion for music and storytelling.
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Mitch Mosk's coverage demonstrates a strong focus on music, especially indie and alternative genres. He often features exclusive interviews and expert commentary, making him likely to be receptive to pitches offering unique insights into the music industry or specific artists.
Given his extensive coverage of holiday music, Mitch may be interested in pitches related to upcoming holiday releases or events within this genre. Additionally, given his interest in gaming, he might also welcome content that intersects with the world of gaming and entertainment.
It's important for potential contributors to provide unique perspectives or access not readily available elsewhere when reaching out to Mitch.
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By: Mitch Mosk
LA alt-pop trio ill peach channel grief, dissociation, and overheard chaos into “MOLLY'S NOT A FRIEND,” a volatile, high-octane eruption from their forthcoming album ‘EAVESDROPPING' that crashes straight through escape and into raw feeling. In our conversation, the band open up about the overheard stories, creative contradictions, and darkly funny chaos behind their music – and how this strange, messy, wildly alive new era came into focus.
By: Mitch Mosk
D esire feels most alive when it loses track of the room around it – when a glance becomes a groove, a body catches the beat, and the whole night seems to move on instinct.
By: Mitch Mosk
Singer/songwriter Maya Engen is a breathtaking force of nature – a maximalist new artist with the vocal firepower, theatrical instinct, and emotional conviction to make every feeling sound larger than life. Her smoldering debut single “Fool,” the first taste of her upcoming EP ‘Just My Luck,' channels toxic friendship and emotional exhaustion into a cathartic anthem we'll be listening to for years to come.
By: Mitch Mosk
Italian pop artist BERENICE reclaims a tired pickup line in her breathtakingly bold single "Everybody Loves Italian Girls" – an irresistible, euphoric pop anthem that celebrates female friendship, self-worth, and the thrill of finally being seen in all your loud, funny, dramatic, unforgettable glory.
By: Mitch Mosk
“I was born in a choke hold.” Kat Cunning's “ Sore Thumb ” begins with a gasp and grows into a reckoning.
By: Mitch Mosk
Singer/songwriter Fiona-Lee says the quiet part out loud on her unflinching EP ‘Every Woman,' a fierce, feverish reckoning with sexual assault, shame, self-doubt, and the hard-won freedom of reclaiming your voice and refusing to stay silent. Speaking with Atwood Magazine, the East Yorkshire artist opens up about anger as release, softness as strength, and the confrontational, diary-like songs that make her second EP feel so urgent, intimate, and alive.
By: Mitch Mosk
Will you tell the truth to youth or cling to alibis? P arenthood can make the future feel unbearably close: Every headline sharper, every choice heavier, every small act of care threaded with fear and faith.
By: Mitch Mosk
A half-empty room can become an instrument when grief has nowhere else to go.
By: Mitch Mosk
I am the colors you see bleed through for the first time / Like you're blind and you find yourself for the first time… T
By: Mitch Mosk
L onging has a way of bending the world until every road leads back to the same place.
