Mitchell Clark

Last week, we announced the winners of DPReview's Annual Awards for 2025. As always, the process for selecting them can be a bit contentious, with some heated (but still respectful) debate among the team. This year, we thought it'd be fun to give you a peek behind the scenes, so we recorded a team discussion where we go in-depth on the winners we picked, as well as some of the runners-up.

Nikon has announced a new firmware update, 5.30, for the Z9, promising a "significant improvement" to the autofocus system's performance when tracking fast-moving subjects, alongside additional features.

Fans crowd around a rookie baseball player who, an hour earlier, had broken the tie in overtime, winning the game. Kids offer him hats and baseballs to sign.

A camera companion app can unlock convenience and useful creative controls, provided it actually works well. Every major brand now offers at least one such app, promising remote camera control, wireless image transfer, GPS sharing and more, but the reality is often a mix of useful features and flaky connections.

Sony has announced the FE 100-400mm F4.5 GM OSS, a full-frame telephoto lens that acts as a spiritual successor to the 100-400mm F4.5-5.6 GM OSS from 2017. Of course, there are a few differences; it now features a constant maximum aperture, as well as an internally zooming design, though both things come with a cost (and not just a monetary one).

Last month, Thypoch announced that it was working on the Voyager 24-50mm F2.8 AF, the first full-frame autofocus zoom lens from a Chinese manufacturer. Now, the company has revealed the full details of it, including its price and full specifications.

The L10 may have a new name, but conceptually it's a successor to the LX100 series that started in 2012.

Adobe has released its build of Camera Raw that supports the newly-announced Sony a7R VI, which allows us to process the Raw test images of our studio scene and produce Raw conversions from the samples we shot.

While Panasonic's new L10 compact bears the name of a new series, its lens, sensor, and set of features make it a clear continuation of the work the company did with the LX100 II line. But these similarities also invite comparison on one of the areas where the two cameras are substantially different: size.

We've spent the last week and a bit testing the Panasonic L10 in earnest, as it's not every day that we get a new compact camera aimed at enthusiast photographers. Abby, Dale and Mitchell sat down to discuss the camera, what it could mean for the industry and more, in the video you can see above.