Nick Hilton is the Director and co-founder at Podot Pods. He covers a diverse range of topics including culture, society, sports, and the broadcasting industry, with a particular focus on cultural movements and internet culture. Nick's work has been featured in notable publications such as the Irish Independent, New Statesman, and The Independent.
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United Kingdom (National)
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Nick Hilton specializes in reviewing TV shows, with a specific focus on British thrillers. He also covers entertainment news and gaming, but to a lesser extent. If you are reaching out to him, make sure your pitch is related to his areas of interest. For example, if you have insights or exclusives related to upcoming British thrillers or significant developments in TV shows or gaming that align with his coverage, it may capture his attention.
Given the nature of Nick's work as a reviewer, he might be interested in advanced access opportunities for new TV shows or exclusive interviews with key figures involved in the production of notable series and British thrillers. Consider offering unique behind-the-scenes perspectives from creators and actors within these genres when pitching to Nick Hilton.
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By: Nick Hilton
New release from the writer of ‘Unforgotten' can't decide whether it's a pantomime potboiler or a more refined dynastic drama
Nick Hilton All the conventions of a Golden Age murder mystery are present in BBC One's new six-part drama, I, Jack Wright . There's the
By: Nick Hilton
I'm obviously going to be awful, that goes without saying, but I'm over the moon they're letting me try.” Those were the words of Clauda Winkleman, at
By: Nick Hilton
Eight-part series about one of the 21st century's most overtold stories serves only to deepen the voyeuristic mythology around its subject
Nick Hilton This review was originally published in 2025 when the show was released on Disney+
Ruth Jones is woefully underused in this twisty, turny thriller
Nick Hilton Can you make a fun thriller about a subject as anxiety inducing as climate change?
His hit podcast that began with business tips has quietly evolved into a conduit for misinformation and some of the world's most controversial thinking. Yet, he remains insulated from censure
By: Nick Hilton
In the latest swing of the axe, the BBC has cut ‘Live at the Apollo' after 22 years on air. This is devastating for the future of British comedy, writes
Nick Hilton Is there any organisation in the country as addicted to its own destruction as the BBC?
