Noel Murray is a freelance journalist at various prominent publications. He specializes in arts and entertainment, covering topics such as celebrities, comedy, and entertainment news, while also exploring themes related to theater and photography. His work has been featured in notable outlets including The New York Times, The A.V. Club, and Rolling Stone.
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Noel Murray's coverage primarily consists of reviews across movies, TV shows, and documentaries. He seems to have a deep interest in providing critiques and evaluations of entertainment content.
If you are reaching out to Noel, consider pitches that align with his focus on the latest movies, TV series, or documentaries. This could include exclusive access to behind-the-scenes information about films or interviews with key figures involved in creating popular television shows.
Given Noel’s geographic focus on the United States, particularly California and Los Angeles, he may be more receptive to pitches related to local events or personalities within the entertainment industry from these areas.
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By: Noel Murray
When "The Mandalorian" debuted on Disney+ in 2019, the series gave "Star Wars" fans something new and exciting: a well-crafted live-action TV show with short episodes and simple stories, largely devoid of the franchise's increasingly complicated mythology. In Season 1 especially, "The Mandalorian" played like an old-fashioned Western, set in outer space, following the adventures of a planet-hopping bounty hunter and his adorable alien sidekick.
When are we going to find out what Beulah and the Jackson family are up to? Whatever it is, it sure seems bad.
By: Noel Murray
Half Man is such a loaded title, isn't it? It's so provocative, raising confrontational questions. What constitutes a full man? Does Niall measure up?
By: Noel Murray, Anne Binckebanck
Some genuinely gripping moments are threaded between a lot of frustratingly belated and obvious explanations for exactly how Ruben and Niall wound up at each other's throats.
It looks like Beth and Rip might just go back to their old Yellowstone ways after facing a devastating crisis.
By: Noel Murray
“The Vampire Lestat,” “Hoppers” and “Not Suitable for Work” arrive and “The Bear” returns.
As much as I love a good shoot-out or saloon brawl or any of the other classic TV-western tropes, I like it even more when one of those shows gives a detailed breakdown of how the Old West economy worked.
We've hit a midseason slump, with the show biding time before the Dutton-Jackson feud resumes and players have to choose a side.
Just when the season is finding its groove, a left-field turn makes it feel like the series has reset itself yet again.
The stressed-out staff at the Bear is back for one final dinner service and an uncertain fate. Here’s where Season 4 left off.
